"Come, come, Anais, be courageous." And the drollest thing was to see the second husband, standing by the side of his wife, deeply touched and affected, shaking hands all round, and accepting, he too, his share of sympathy. "What genius! what genius!" he repeated as he mopped his eyes. It was at the same time ridiculous and affecting.

FOOTNOTES:

[10] From "Artists' Wives." Translated by Laura Enser.


II

MY FIRST DRESS COAT[11]

How did I come by it, that first dress coat? What primitive tailor, what confiding tradesman was it, trustful as Don Juan's famous Monsieur Dimanche, who upon the faith of my fantastic promises, decided one fine morning on bringing it to me, brand new, and artistically pinned up in a square of shiny green calico? It would be difficult for me to tell. Of the honest tailor, I can indeed recall nothing—so many tailors have since then crossed my path—save perhaps a vision, as in a luminous mist, of a thoughtful brow and a large mustache. The coat indeed is there, before my eyes. Its image after twenty years still remains indelibly graven on my memory, as on imperishable brass. What a collar, my young friends! What lapels! And, above all, what skirts, shaped as the slimmest tail of the swallow! My brother, a man of experience, had said: "One must have a dress coat if one wishes to make one's way in the world." And the dear fellow counted much upon this piece of frippery for the advancement of my fame and fortune....

One day some one proposed to get me an invitation to Augustine Brohan's soirées. Who? some one. Some one, egad! You know him already: that eternal some one, who is like every one else, that amiable institution of Providence, who, of no personal value in himself and a mere acquaintance in the house he frequents, yet goes everywhere, introduces you everywhere, is the friend of a day, of an hour, of whose name even you are ignorant, that essentially Parisian type.

You may imagine with what enthusiasm I accepted the proposal. To be invited to Augustine's house! Augustine, the famous actress, Augustine, the laughing representative of Molière's comic muse, softened somewhat by the more modern poetic smile of Musset's genius—for while she acted the waiting maids at the Théâtre Français, Musset had written his comedy "Louison" at her house; Augustine Brohan, in short, in whom all Paris delighted, vaunting her wit, quoting her repartees; and who might already be said to have adorned herself with that swallow's plume, unsullied yet by ink, but already well sharpened, with which she was hereafter to sign those charming "Lettres de Suzanne!"