"And are not these poor people right? Did not these bushes grow on sacred ground? Is not their sap impregnated with the incense of offerings, and the exhalations of holy anchorites, who once lived and breathed here?"
The learned but superstitious Sham Rao would only answer our questions by new questions.
But the central temple, built of red granite, stood unharmed by time, and, as we learned afterwards, a deep tunnel opened just behind its closely-shut door. What was beyond it no one knew. Sham Rao assured us that no man of the last three generations had ever stepped over the threshold of this thick iron door; no one had seen the subterranean passage for many years. Kangalim lived there in perfect isolation, and, according to the oldest people in the neighborhood, she had always lived there. Some people said she was three hundred years old; others alleged that a certain old man on his death-bed had revealed to his son that this old woman was no one else than his own uncle. This fabulous uncle had settled in the cave in the times when the "Dead City" still counted several hundreds of inhabitants. The hermit, busy paving his road to Moksha, had no intercourse with the rest of the world, and nobody knew how he lived and what he ate. But a good while ago, in the days when the Bellati (foreigners) had not yet taken possession of this mountain, the old hermit suddenly was transformed into a hermitess. She continues his pursuits and speaks with his voice, and often in his name; but she receives worshippers, which was not the practice of her predecessor.
We had come too early, and the Pythia did not at first appear. But the square before the temple was full of people, and a wild though picturesque scene it was. An enormous bonfire blazed in the center, and round it crowded the naked savages like so many black gnomes, adding whole branches of trees sacred to the seven sister-goddesses. Slowly and evenly they all jumped from one leg to another to a tune of a single monotonous musical phrase, which they repeated in chorus, accompanied by several local drums and tambourines. The hushed trill of the latter mingled with the forest echoes and the hysterical moans of two little girls, who lay under a heap of leaves by the fire. The poor children were brought here by their mothers, in the hope that the goddesses would take pity upon them and banish the two evil spirits under whose obsession they were. Both mothers were quite young, and sat on their heels blankly and sadly staring at the flames. No one paid us the slightest attention when we appeared, and afterwards during all our stay these people acted as if we were invisible. Had we worn a cap of darkness they could not have behaved more strangely.
"They feel the approach of the gods! The atmosphere is full of their sacred emanations!" mysteriously explained Sham Rao, contemplating with reverence the natives, whom his beloved Haeckel might have easily mistaken for his "missing link," the brood of his Bathybius Haeckelii.
"They are simply under the influence of toddy and opium!" retorted the irreverent Babu.
The lookers-on moved as in a dream, as if they all were only half-awakened somnambulists, but the actors were simply victims of St. Vitus's dance. One of them, a tall old man, a mere skeleton with a long white beard, left the ring and begun whirling vertiginously, with his arms spread like wings, and loudly grinding his long, wolf-like teeth. He was painful and disgusting to look at. He soon fell down, and was carelessly, almost mechanically pushed aside by the feet of the others still engaged in their demoniac performance.
All this was frightful enough, but many more horrors were in store for us.
Waiting for the appearance of the prima donna of this forest opera company, we sat down on the trunk of a fallen tree, ready to ask innumerable questions of our condescending host. But I was hardly seated when a feeling of indescribable astonishment and horror made me shrink back.
I beheld the skull of a monstrous animal, the like of which I could not find in my zoölogical reminiscences.