Needless to say that such an impression could not last. As soon as the witch had turned her gleaming eyes to the kneeling crowd, it vanished as swiftly as it had come. But still all our attention was fixed on this remarkable creature.
Three hundred years old! Who can tell? Judging by her appearance, we might as well conjecture her to be a thousand. We beheld a genuine living mummy, or rather a mummy endowed with motion. She seemed to have been withering since the creation. Neither time, nor the ills of life, nor the elements could ever affect this living statue of death. The all-destroying hand of time had touched her and stopped short. Time could do no more, and so had left her. And with all this, not a single gray hair. Her long black locks shone with a greenish sheen, and fell in heavy masses down to her knees.
To my great shame, I must confess that a disgusting reminiscence flashed into my memory. I thought about the hair and the nails of corpses growing in the graves, and tried to examine the nails of the old woman.
Meanwhile, she stood motionless as if suddenly transformed into an ugly idol. In one hand she held a dish with a piece of burning camphor, in the other a handful of rice, and she never removed her burning eyes from the crowd. The pale yellow flame of the camphor flickered in the wind, and lit up her death-like head, almost touching her chin; but she paid no heed to it. Her neck, as wrinkled as a mushroom, as thin as a stick, was surrounded by three rows of golden medallions. Her head was adorned with a golden snake. Her grotesque, hardly human body was covered by a piece of saffron-yellow muslin.
The demoniac little girls raised their heads from beneath the leaves, and set up a prolonged animal-like howl. Their example was followed by the old man, who lay exhausted by his frantic dance.
The witch tossed her head convulsively, and began her invocations, rising on tiptoe, as if moved by some external force.
"The goddess, one of the seven sisters, begins to take possession of her," whispered Sham Rao, not even thinking of wiping away the big drops of sweat that streamed from his brow. "Look, look at her!"
This advice was quite superfluous. We were looking at her, and at nothing else.
At first, the movements of the witch were slow, unequal, somewhat convulsive; then, gradually, they became less angular; at last, as if catching the cadence of the drums, leaning all her long body forward, and writhing like an eel, she rushed round and round the blazing bonfire. A dry leaf caught in a hurricane could not fly swifter. Her bare bony feet trod noiselessly on the rocky ground. The long locks of her hair flew round her like snakes, lashing the spectators, who knelt, stretching their trembling arms towards her, and writhing as if they were alive. Whoever was touched by one of this Fury's black curls, fell down on the ground, overcome with happiness, shouting thanks to the goddess, and considering himself blessed forever. It was not human hair that touched the happy elect, it was the goddess herself, one of the seven.
Swifter and swifter fly her decrepit legs; the young, vigorous hands of the drummer can hardly follow her. But she does not think of catching the measure of his music; she rushes, she flies forward. Staring with her expressionless, motionless orbs at something before her, at something that is not visible to our mortal eyes, she hardly glances at her worshippers; then her look becomes full of fire, and whoever she looks at feels burned through to the marrow of his bones. At every glance she throws a few grains of rice. The small handful seems inexhaustible, as if the wrinkled palm contained the bottomless bag of Prince Fortunatus.