[1] Copyright, 1915, by Charles Scribner’s Sons. Copyright, 1916, by Maxwell Struthers Burt.
THE WAKE[2]
By DONN BYRNE
From Harper’s Magazine
At times the muffled conversation in the kitchen resembled the resonant humming of bees, and again, when it became animated, it sounded like the distant cackling of geese. Then there would come a pause; and it would begin again with sibilant whispers, and end in a chorus of dry laughter that somehow suggested the crackling of burning logs.
Occasionally a figure would open the bedroom door, pass the old man as he sat huddled in his chair, never throwing a glance at him, and go and kneel by the side of the bed where the body was. They usually prayed for two or three minutes, then rose and walked on tiptoe to the kitchen, where they joined the company. Sometimes they came in twos, less often in threes, but they did precisely the same thing—prayed for precisely the same time, and left the room on tiptoe with the same creak of shoe and rustle of clothes that sounded so intensely loud throughout the room. They might have been following instructions laid down in a ritual.
The old man wished to heaven they would stay away. He had been sitting in his chair for hours, thinking, until his head was in a whirl. He wanted to concentrate his thoughts, but somehow he felt that the mourners were preventing him.
The five candles at the head of the bed distracted him. He was glad when the figure of one of the mourners shut off the glare for a few minutes. He was also distracted by the five chairs standing around the room like sentries on post and the little table by the window with its crucifix and holy-water font. He wanted to keep thinking of “herself,” as he called her, lost in the immensity of the oaken bed. He had been looking at the pinched face with its faint suspicion of blue since early that morning. He was very much awed by the nun’s hood that concealed the back of the head, and the stiffly posed arms and the small hands in their white-cotton gloves moved him to a deep pity.
Somebody touched him on the shoulder. “Michael James.”
It was big Dan Murray, a gaunt red farmer, who had been best man at his wedding.
“Michael James.”