“You know, my friend, I am Highland Scotch.” (He pronounced it Heeland.) “I may be queer. That all depends. But don’t be alarmed at the way I put things. I am not out of my head. Now this yarn about Andy Gordon. Remember,” said he, tapping the table with his long white finger, and smiling at me in a charming manner, “sufficient unto eternity is the glory of the hour. By the way, that young fellow over there who said that is a violoncellist. ‘Grand ducal ’cello to the imperial violin,’ you know.”
I reconsidered him in the wink of an eye. He is not Socrates and he is not Verlaine, I said to myself. This old lovable scarecrow is the Ancient Mariner, and he is going to hold me with his glittering eye and I am going to listen like a three years’ child. The very fellow: the “skinny hand,” the “long gray beard”—and doubtless, too, the true Ancient Mariner smelled of tobacco and drink. Certainly he talked poetry. And so did my old man, miraculously, almost without effort. So I sat back and listened, while he told his story.
II
Andy Gordon was for all his years a weaver in the mills at Glastonbury; just an ordinary human stick or stone, as you might call it, doing his mechanical work at the machine like a machine—until one day he drew his pay, before you could say Jack Robinson, and started off walking anywhere. He did it of a sudden and without seeming cause, but inwardly there was a pressing retraction upon his soul that told him to get away from the mechanical actualities.
He was feeling himself tired to death that day he drew his money; and, of course, he was still young. And when a young man really wants very much to die, he always comes out of that valley (at any rate, so people say) with something new in his heart. Andy walked off anywhere, just so he got to the hills.
And when he arrived at the hills, it was all very, very sweet. They were just coming light yellow and the bluebirds were there before him, touring the air just for the fun of it. And he made right away a queer discovery—he knew for the first time that New Year’s is not the first day of January, at all. It’s the first day of spring. Men are right silly, Andy thought, calling some dead and sodden day in mid-winter by the fancy, saucy name of New. The thing that is New, of course, is the Green. The New Year is the Green Year.
Well, he had a hunk of bread in his pocket and some onions, and a man can walk a long way upon the strength of that; so he went along up a road when he felt like it and over a hill when he felt like that. But most of the time his heart was very sad in his body and his mind took no pleasure of the bluebirds. For he was thinking that his life wasn’t very much. He could see nothing in working year after year at the mill. And yet that was all he was good for (so he thought).
On and on and on walked Andy. There were parts of those hills where he walked that probably nobody, not even the Indian, ever traversed. Anything could happen there—where the woods are dark with pine or sunny with birch, and where echoes are the only memory (and they never last long). It was so far away, up in through there; as I’ve said, anything could happen there and we would never hear of it. All day long the cold brooks run down, brown from the juices of the hemlock bark, over browned stones—but of course they never talk and tell anything.
About noon, Andy found himself upon an old disused and overgrown road, that for years had been traveled only by rabbits and skunks and woodchucks and deer. And in a clearing at one side he saw an old log cabin which had not been lived in for years and years. There was a bit of brook at the back and an old wind-break of pine trees.
“Now I will eat a snack here,” Andy said to himself, “and afterward, may God have mercy on my soul, I will lie down and nap under the pine and try to sleep off whatever it is that is bothering me.”