“Are you coming, Alice?” some one asked.

Michael James listened for the answer. He was taking in eagerly all outside things. He wanted something to pass the time of waiting, as a traveler in a railway station reads trivial notices carefully while waiting for a train that may take him to the ends of the earth.

“Alice, are you coming?” was asked again.

There was no answer.

“Well, you needn’t if you don’t want to,” he heard in an irritated tone, and the speaker tramped down toward the road in a dudgeon. He recognized the figure of Flanagan, the football-player, who was always having little spats with the girl he was going to marry. He discovered with a sort of shock that he was slightly amused at this incident.

From the road there came the shrill scream of one of the girls who had gone out, and then a chorus of laughter. And against the background of the figure behind him and of young Kennedy he began wondering at the relationship of man and woman. He had no word for it, for “love” was a term he thought should be confined to story-books, a word to be suspicious of as sounding affected, a word to be scoffed at. But of this relationship he had a vague understanding. He thought of it as a criss-cross of threads binding one person to the other, or as a web which might be light and easily broken, or which might have the strength of steel cables and which might work into knots here and there and become a tangle that could crush those caught in it.

It puzzled him how a thing of indefinable grace, of soft words on June nights, of vague stirrings under moonlight, of embarrassing hand-clasps and fearful glances, might become, as it had become in the case of himself, Kennedy, and what was behind him, a thing of blind, malevolent force, a thing of sinister silence, a shadow that crushed.

And then it struck him with a sense of guilt that his mind was wandering from her, and he turned away from the window. He thought how much more peaceful it would be for a body to lie out in the moonlight than on a somber oak bedstead in a shadowy room with yellow, guttering candle-light and five solemn-looking chairs. And he thought again how strange it was that on a night like this Kennedy should come as an avenger seeking to kill rather than as a lover with high hope in his breast.

Murray slipped into the room again. There was a frown on his face and his tone was aggressive.

“I tell you, Michael James, we’ll have to do something about it.” There was a truculent note in his whisper.