THE PATH OF GLORY[19]

By MARY BRECHT PULVER

From The Saturday Evening Post.

It was so poor a place—a bitten-off morsel "at the beyond end of nowhere"—that when a February gale came driving down out of a steel sky and shut up the little lane road and covered the house with snow a passer-by might have mistaken it all, peeping through its icy fleece, for just a huddle of the brown bowlders so common to the country thereabouts.

And even when there was no snow it was as bad—worse, almost, Luke thought. When everything else went brave and young with new greenery; when the alders were laced with the yellow haze of leaf bud, and the brooks got out of prison again, and arbutus and violet and buttercup went through their rotation of bloom up in the rock pastures and maple bush—the farm buildings seemed only the bleaker and barer.

That forlorn unpainted little house, with its sagging blinds! It squatted there through the year like a one-eyed beggar without a friend—lost in its venerable white-beard winters, or contemplating an untidy welter of rusty farm machinery through the summers.

When Luke brought his one scraggy little cow up the lane he always turned away his head. The place made him think of the old man who let the birds build nests in his whiskers. He preferred, instead, to look at the glories of Bald Mountain or one of the other hills. There was nothing wrong with the back drop in the home stage-set; it was only home itself that hurt one's feelings.

There was no cheer inside, either. The sagging old floors, though scrubbed and spotless, were uncarpeted; the furniture meager. A pine table, a few old chairs, a shabby scratched settle covered by a thin horse blanket as innocent of nap as a Mexican hairless—these for essentials; and for embellishment a shadeless glass lamp on the table, about six-candle power, where you might make shift to read the Biweekly—times when there was enough money to have a Biweekly—if you were so minded; and window shelves full of corn and tomato cans, still wearing their horticultural labels, where scrawny one-legged geraniums and yellowing coleus and begonia contrived an existence of sorts.

And then, of course, the mantelpiece with the black-edged funeral notice and shiny coffin plate, relics of Grampaw Peel's taking-off; and the pink mug with the purple pansy and "Woodstock, N.Y.," on it; the photograph of a forgotten cousin in Iowa, with long antennæ-shaped mustaches; the Bible with the little china knobs on the corners; and the pile of medicine testimonials and seed catalogues—all these contributed something.

If it was not a beautiful place within, it was, also, not even a pleasant place spiritually. What with the open door into his father's room, whence you could hear the thin frettings made by the man who had lain these ten years with chronic rheumatism, and the untuneful whistlings of whittling Tom, the big brother, the shapely supple giant whose mind had never grown since the fall from the barn room when he was eight years old, and the acrid complaints of the tall gaunt mother, stepping about getting their inadequate supper, in her gray wrapper, with the ugly little blue shawl pinned round her shoulders, it was as bad a place as you might find in a year's journeying for anyone to keep bright and "chirk up" in.