From The Pictorial Review
The wind rose in a sharp gust, rattling the insecure windows and sighing forlornly about the corners of the house. The door unlatched itself, swung inward hesitatingly, and hung wavering for a moment on its sagging hinges. A formless cloud of gray fog blew into the warm, steamy room. But whatever ghostly visitant had paused upon the threshold, he had evidently decided not to enter, for the catch snapped shut with a quick, passionate vigor. The echo of the slamming door rang eerily through the house.
Mart Brenner's wife laid down the ladle with which she had been stirring the contents of a pot that was simmering on the big, black stove, and dragging her crippled foot behind her, she hobbled heavily to the door.
As she opened it a new horde of fog-wraiths blew in. The world was a gray, wet blanket. Not a light from the village below pierced the mist, and the lonely army of tall cedars on the black hill back of the house was hidden completely.
"Who's there?" Mrs. Brenner hailed. But her voice fell flat and muffled. Far off on the beach she could dimly hear the long wail of a fog-horn.
The faint throb of hope stilled in her breast. She had not really expected to find any one at the door unless perhaps it should be a stranger who had missed his way at the cross-roads. There had been one earlier in the afternoon when the fog first came. But her husband had been at home then and his surly manner quickly cut short the stranger's attempts at friendliness. This ugly way of Mart's had isolated them from all village intercourse early in their life on Cedar Hill.
Like a buzzard's nest, their home hung over the village on the unfriendly sides of the bleak slope. Visitors were few and always reluctant, even strangers, for the village told weird tales of Mart Brenner and his kin. The village said that he—and all those who belonged to him as well—were marked for evil and disaster. Disaster had truly written itself throughout their history. His mother was mad, a tragic madness of bloody prophecies and dim fears; his only son a witless creature of eighteen, who for all his height and bulk, spent his days catching butterflies in the woods on the hill, and his nights in laboriously pinning them, wings outspread, upon the bare walls of the house.
The room where the Brenner family lived its queer, taciturn life was tapestried in gold, the glowing tapestry of swarms of outspread yellow butterflies sweeping in gilded tides from the rough floors to the black rafters overhead.
Olga Brenner herself was no less tragic than her family. On her face, written in the acid of pain, was the history of the blows and cruelty that had warped her active body. Owing to her crippled foot, her entire left side sagged hopelessly and her arm swung away, above it, like a branch from a decayed tree. But more saddening than her distorted body was the lonely soul that looked out of her tired faded eyes.
She was essentially a village woman with a profound love of its intimacies and gossip, its fence-corner neighborliness. The horror with which the village regarded her, as the wife of Mart Brenner, was an eating sore. It was greater than the tragedy of her poor, witless son, the hatred of old Mrs. Brenner, and her ever-present fear of Mart. She had never quite given up her unreasoning hope that some day some one might come to the house in one of Mart's long, unexplained absences and sit down and talk with her over a cup of tea. She put away the feeble hope again as she turned back into the dim room and closed the door behind her.