It had been so perfect that the next day found them following the same routine. And the next day, and the next. Bessie Lonsdale had not felt for years so much peace and so much strength. In their morning walks together her strength showed greater than his. The bracing air exhilarated her, and she felt she could have walked forever in the lovely rolling hills. Once she had walked on and on, faster and faster, not noticing how she had quickened her pace, her head up, facing the light wind blowing in from the sea. And, turning to ask a question of Ayling at her side, his white face stopped her instantly.
"Oh, I am sorry! Forgive me," she said.
He smiled, embarrassed, and waited a moment for breath before he said, "It's just the wind; it's pretty stiff."
And she had said no more, because it embarrassed him, but she suited her pace to his after that, never forgiving herself for her thoughtlessness. And she chose, instead of the hill roads, the level, winding lanes.
For five perfect spring days they spent their mornings out-of-doors in the sun, lunched, parted until tea, met at dinner again, and said good night at a preposterously early hour. And they could not have said whether they amused or interested or merely comforted each other. Perhaps they did all three. At any rate, it was an idyll of its kind, and of more genuine beauty than many less platonic idylls have been.
On the morning of the sixth day Bessie Lonsdale went out into the garden as usual, to find the sky overcast with light, fleecy clouds. But the air was soft, and she wandered about for half an hour before it occurred to her that perhaps Ayling was waiting for her inside. She went in to look, but saw him nowhere, and decided that he was sleeping late. She waited until eleven, and then went out to walk by herself. But she did not relish the walk because she was uneasy about Ayling. She was afraid he was ill. She forced herself to go on a little way, but when she came to the second turn in the road, she faced abruptly about and came back to the inn. Still Ayling was nowhere about. He was not in the garden; he was not in the coffee-room. She went to her own room and sat down with a book, but she could not read. So she went into the corridor, searching for some one of whom she might inquire. But no one was visible.
Ayling's room opened off of the little public sitting-room at the end of the corridor. She went on until she reached the sitting-room, which she entered, and then stood still, listening for some sound from beyond Ayling's door. The silence seemed to grow round her; it filled the room, it spread through the house. And then, propelled by that silence toward the door, she put out her hand and knocked softly. There was no response. She repeated the knock—twice—and only that pervading silence answered her. She took hold of the knob and turned it without a sound; the door gave inward and she stepped inside the room. The bed faced her, and Ayling was lying there, on his side. Even before she saw his face, her own heart told her that he was dead.... He lay there quite peacefully, as if he had died in his sleep.
For an instant Bessie Lonsdale thought she was going to faint. And then, moved by the force of an emotion which seemed to take possession of her from the outside, an emotion which she could not recognize, but which was irresistible and which, as the silence had propelled her a moment ago, took her backward now, step by step, noiselessly, out of that room; caused her to close the door after her, and, still moving backward without a sound, to come to a stop in the middle of the little sitting-room. For now that strange fear, premonition—she knew not what—which seemed to have been traveling toward her from a great distance, seemed suddenly to concentrate itself into a single name, "Peggy!" ... Confused, swirling, the connotations that accompanied the name took possession of her mind, of her body, her will. Peggy was threatened.... Through this thing that had happened Peggy's happiness might be destroyed! In a flash she saw the story—the cold facts printed in a newspaper—as they would undoubtedly be—or told by gossips, glad of a scandal to repeat: She, Peggy's mother—and Richard Ayling together at a country inn—the sudden and sensational discovery of Ayling's death.... She could see the stern face of Lady McCrae—the accusing blue eyes of Andrew McCrae ... and Peggy's stricken face.
She tried to pull herself together—to think; her thoughts were not reasoning thoughts, but unrelated, floating, detached....
Suddenly, by some strange alchemy of her mind, three things stood out clear. They stood out like the three facts of a simple syllogism.