SHE WALKS IN BEAUTY[14]
By FANNIE HURST
(From The Cosmopolitan)
By that same mausolean instinct that was Artimesia's when she mourned her dear departed in marble and hieroglyphics; by that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton Hotel, even to the pillars with red-freckled monoliths and peacock-backed lobby chairs, making the analogy rather absurdly complete, reared its fourteen stories of "Elegantly furnished suites, all the comforts and none of the discomforts of home."
A mausoleum to the hearth. And as true to form as any that ever mourned the dynastic bones of an Augustus or a Hadrian.
It is doubtful if in all its hothouse garden of women the Hotel Bon Ton boasted a broken finger-nail or that little brash place along the forefinger that tattles so of potato peeling or asparagus scraping.
The fourteenth story, Manicure, Steam-bath, and Beauty Parlors, saw to all that. In spite of long bridge-table, lobby-divan and table d'hote séances, "tea" where the coffee was served with whipped cream and the tarts built in four tiers and mortared in mocha filling, the Bon Ton Hotel was scarcely more than an average of fourteen pounds over-weight.
Forty's silhouette, except for that cruel and irrefutable place where the throat will wattle, was almost interchangeable with eighteen's. Indeed, Bon Ton grandmothers with backs and French heels that were twenty years younger than their throats and bunions, vied with twenty's profile.