We pushed on, curious. We came out into the "place." The scene under the candlenut torches was as familiar to us as the Ohio River of Uncle Tom to the small-town schoolboy; the meager rows of three-quarter naked Kanakas, yellow with saffron and blue with tattooer's ink; the old women in the background of sultry lights and enormous shadows compounding endless balls of popoi for the feast; the local and desceptered chieftain squatting on his hams and guarding the vanished gallon between his knees; this was all as it should have been. This was the convention.—But what was really happening on that sylvan, torchlit stage that night was something as new as anything can be under the sun, because it was something that had not happened for ten thousand years.—
We who are worn with novelty can never reconquer for ourselves the thrill of an unmitigated wonder. We have sold the birthright. But imagine the toppling of a hundred centuries! You could have seen it in the eyes of those watchers, in their rapt, rapacious attention, in the conflict that went on within them visibly; traitorous applause pent and pitted against all the instinctive protest of an established art.—
"Yes, but this isn't dancing!"
Yet their bodies, one here, one there, would begin to sway—
Three Kanaka men, strangers to the island, sat cross-legged on the turf. One had taken over a drum from a local musician. The other two had instruments fashioned of dried gourds with fingering pieces of bamboo and strings of gut—barbaric cousins to the mandolin. So, on this one night in history, the music of another tribe had come to Taai. It just escaped being an authentic "tune." How it escaped was indefinable. The sophisticated ear would almost have it, and abruptly it had got away in some provoking lapse, some sudden and bizarre disintegration of tone. And the drumbeat, bringing it back, ran like a fever pulse in a man's blood.
In the center of the sward, her back to the musicians, a solitary female danced; a Kanaka woman, clothed in a single shift of the sheerest crimson cotton, tied at one shoulder and falling to mid-thigh. Not from Taai did this woman come; one saw that; not from any near island or group. Her beauty was extraordinary, like that of the Marquesans, with that peculiar straightness of all the lines, at once Grecian, austere, and incalculably voluptuous.—
The dance, as I saw it for the first time that night, I will not speak of. I have traded to many islands in many groups—even the Low Archipelago—but the island where that dance was indigenous I am sure I've never touched. Compared with any of the hulas, set and fixed in each locality as the rites of Rome, it was sophisticated; it gave an illusion of continuous invention and spontaneity; it was flesh swept by a wind and shattered; it ravished the eyes.
I don't know how long I watched; how long all the immortal flame in me lent itself to the histrionic purposes of that woman. But I shall never forget it. Never! Never!
I looked away. I saw two faces. One of them hung over my shoulder. It was the trader's. It was the face of a man who has lived a very long while wielding power of life and death over unsatisfying satisfactions. A man awakened! The toppling of a hundred centuries, indeed.
The other was Signet's. Scarred by leaf shadows, thrust like a swimmer's from the meager sea of heads and naked shoulders, it held as still as a death mask, minute by minute, except that, in the penumbra cast by the veil of goat tuft on his chin, the Adam's apple was convulsed at intervals, as if he were swallowing, as if the man were drinking!