The man hadn't enough humanity, we figured. He was forever dramatizing himself, forever attitudinizing. And those various suits of his—how they agonized us! We were slouches, I know, with rumpled hair and, I fear not overparticular as to our linen during the greater part of the week. Some of us had families to support, even in those young days—or at least a father or a mother up the State to whom we had to send a monthly cheque out of our meagre wages.

I can't say that we were envious of Shelby because of his single-blessedness—he was only twenty-two at that time; but it hurt us to know that he didn't really have to work in Herald Square, and that he had neat bachelor quarters down in Gramercy Park, and a respectable club or two, and week-ended almost where he chose. His blond hair was always beautifully plastered over a fine brow, and he would never soil his forehead by wearing a green shade when he bent over his typewriter late at night. That would have robbed him of some of his dignity, made him look anything but the English gentleman he was so anxious to appear.

I think he looked upon us as just so much dust beneath his feet. He would say "Good evening" in a way that irritated every one of us—as though the words had to be got out somehow, and he might as well say them and get them over with, and as though he dreaded any reply. You couldn't have slapped him on the back even if you had felt the impulse; he wasn't the to-be-slapped kind. And of course that means that he wouldn't have slapped any of us, either. And he was the type you couldn't call by his first name.

Looking back, I sometimes think of all that he missed in the way of good-fellowship; for we were the most decent staff in New York, as honest and generous and warmly human a bunch as anyone could hope to find. We were ambitious, too, mostly college men, and we had that passion for good writing, perhaps not in ourselves, but in others, which is so often the newspaper man's special endowment. We were swift to recognize a fine passage in one another's copy; and praise from old Hanscher meant a royal little dinner at Engel's with mugs of cream ale, and an hour's difference in our arrival at the office next day. Oh, happy, vanished times! Magic moments that peeped through the grayness of hard work, and made the whole game so worth while.

Well, Stanton won out. He told us about it afterwards.

On the pretext that he wanted to ask Shelby's advice about some important personal matter, he urged him to let him give him as good a meal as Mouqin could provide, with a certain vintage of French wine which he knew Shelby was fond of. There were cocktails to begin with, though Shelby had intimated more than once that he abominated the bourgeois American habit of indulging in such poison. And there was an onion soup au gratin, a casserole, and artichokes, and special coffee, and I don't know what else.

"He got positively human," Stanton put it, later, as we clustered round him in the copy room. (Shelby hadn't turned up.) "I don't like him, you know; and at first it was hard to get through the soup; but I acted up, gave him a song and dance about my mythical business matter—I think he feared I was going to 'touch him'—and finally got a little tipsy myself. From then on it was easy. It was like a game."

It seems that afterwards, arm in arm, they walked out into Sixth Avenue in the soft snow—it was winter, and the Burgundy had done the trick—and Shelby, his inhibitions completely gone, began to weep.

"Why are you crying?" Stanton asked, his own voice thick.

"Because you fellers don't like me!" Shelby choked out.