But human bliss still meets some envious storm;
He droops to view his Paynter's mangled form:
Presumptuous grief, while pensive Taste repines
O'er the frail relics of her Attic shrines!
O for that power, for which magicians vie,
To look through earth, and secret hoards descry!
I'd spurn such gems as Marinel beheld,
And all the wealth Aladdin's cavern held,
Might I divine in what mysterious gloom
The rolls of sacred bards have found their tomb:
Beneath what mouldering tower, or waste champaign,
Is hid Menander, sweetest of the train:
Where rests Antimachus' forgotten lyre,
Where gentle Sappho's still seductive fire;
Or he, whom chief the laughing Muses own,
Yet skilled with softest accents to bemoan
Sweet Philomel in strains so like her own.
The menial train has proved the scourge of wit,
Even Omar burnt less Science than the spit.
Earthquakes and wars remit their deadly rage,
But every feast demands some fated page.
Ye Towers of Julius, ye alone remain
Of all the piles that saw our nation's stain,
When Harry's sway oppressed the groaning realm,
And Lust and Rapine seized the wavering helm.
Then ruffian-hands defaced the sacred fanes,
Their saintly statues and their storied panes;
Then from the chest, with ancient art embossed,
The penman's pious scrolls were rudely tossed;
Then richest manuscripts, profusely spread,
The brawny churls' devouring oven fed:
And thence collectors date the heavenly ire
That wrapt Augusta's domes in sheets of fire.
Taste, though misled, may yet some purpose gain,
But Fashion guides a book-compelling train.
Once, far apart from Learning's moping crew,
The travelled beau displayed his red-heeled shoe,
Till Orford rose, and told of rhyming peers,
Repeating noble words to polished ears;
Taught the gay crowd to prize a fluttering name,
In trifling toiled, nor 'blushed to find it fame'.
The lettered fop now takes a larger scope,
With classic furniture, designed by Hope,
(Hope whom upholsterers eye with mute despair,
The doughty pedant of an elbow-chair;)
Now warmed by Orford, and by Granger schooled
In Paper-books, superbly gilt and tooled,
He pastes, from injured volumes snipped away,
His English Heads, in chronicled array.
Torn from their destined page (unworthy meed
Of knightly counsel, and heroic deed)
Not Faithorne's stroke, nor Field's own types can save
The gallant Veres, and one-eyed Ogle brave.
Indignant readers seek the image fled,
And curse the busy fool, who wants a head.
Proudly he shows, with many a smile elate
The scrambling subjects of the private plate;
While Time their actions and their names bereaves,
They grin for ever in the guarded leaves.
Like poets, born, in vain collectors strive
To cross their Fate, and learn the art to thrive.
Like Cacus, bent to tame their struggling will,
The Tyrant-passion drags them backward still:
Even I, debarred of ease, and studious hours,
Confess, 'mid anxious toil, its lurking powers.
How pure the joy, when first my hands unfold
The small, rare volume, black with tarnished gold!
The eye skims restless, like the roving bee,
O'er flowers of wit, or song, or repartee,
While sweet as springs, new-bubbling from the stone,
Glides through the breast some pleasing theme unknown.
Now dipped in Rossi's terse and classic style,
His harmless tales awake a transient smile.
Now Bouchet's motley stores my thoughts arrest,
With wondrous reading, and with learnèd jest.
Bouchet whose tomes a grateful line demand,
The valued gift of Stanley's liberal hand.
Now sadly pleased, through faded Rome I stray,
And mix regrets with gentle Du Bellay;
Or turn, with keen delight, the curious page,
Where hardly Pasquin braves the Pontiff's rage.
But D——n's strains should tell the sad reverse,
When Business calls, inveterate foe to verse!
Tell how 'the Demon claps his iron hands',
'Waves his lank locks, and scours along the lands.'
Through wintry blasts, or summer's fire I go,
To scenes of danger, and to sights of woe.
Even when to Margate every Cockney roves,
And brainsick-poets long for sheltering groves,
Whose lofty shades exclude the noontide glow,
While Zephyrs breathe, and waters trill below,
The rigid Fate averts, by tasks like these,
From heavenly musings, and from lettered ease.
Such wholesome checks the better genius sends,
From dire rehearsals to protect our friends:
Else when the social rites our joys renew,
The stuffed portfolio would alarm your view,
Whence volleying rhymes your patience would o'ercome,
And, spite of kindness, drive you early home.
So when the traveller's hasty footsteps glide
Near smoking lava on Vesuvio's side,
Hoarse-muttering thunders from the depths proceed,
And spouting fires incite his eager speed.
Appalled he flies, while rattling showers invade,
Invoking every saint for instant aid:
Breathless, amazed, he seeks the distant shore,
And vows to tempt the dangerous gulf no more.
J. Ferriar. The Bibliomania.
BIBLIOSOPHIA
I will begin, by designating the high and dignified passion in question by its true name—BIBLIOSOPHIA,—which I would define—an appetite for COLLECTING Books—carefully distinguished from, wholly unconnected with, nay, absolutely repugnant to, all idea of READING them.
Observe, then, with merited admiration, the several points of superiority, which distinguish the Collector, when brought into fair and close comparison with the Student. As
First; the said Collector proceeds straight forward to his object, and (with one only exception which will hereafter be shown) under the most rational hopes of accomplishing it. There is but a certain, and limited, number of books to which he and his inquisitive fraternity have agreed to consecrate the epithet 'curious'; and all of these—with the requisite allowance of cash, cunning, luck, patience, and time—he is within the 'potentiality' of drawing, sooner or later, within his clutches:—whereas the Student, granting him the wealth of a brewer, the cunning of a horse-dealer, the luck of a fool, the patience of Jerry Sneak, and the longevity of the Wandering Jew, can never hope even to taste an hundredth part of the volumes which he meditates to devour.
In the next place, the treasures of the Collector, when once he has submitted to the pleasing toil of procuring them, are his own;—his own, I mean, in the single sense in which he is desirous so to call them; for he leaves them in the safe custody of his shelves, until the arrival of that proud moment, when he shall be dared by an envious rival, to prove that the title-page of some forgotten (and thence remembered) volume, is perfect—or properly imperfect; or that it enjoys the reputation of having been printed, long before the Art had approached towards any tolerable degree of improvement; or, that it possesses some one, or more, of those curious advantages, upon which a fitter occasion for expatiating will present itself by and by:—and now, how stands the point of possession, with the Student?—unprosperously indeed!—for besides that, as already observed, he can never possibly possess, in his sense of that expression, more than a wretched modicum of his coveted treasures, he is doomed to a very precarious property even in those which he may have actually hoarded; inasmuch as they are entrusted to the care of that most treacherous of all librarians, Memory,—which, at all times, and of necessity, treats the Student's collections, as the professed Collector, occasionally, and by choice only, is tempted to treat his,—by casting out a great part of them for want of room.... 'Let us now be told no more,' of the superiority of the Student over the Collector.—J. Beresford. Bibliosophia.