'Ipsa varietate tentamus efficere ut alia aliis, quaedam fortasse omnibus placeant.' Plin. Epist.

As when some skilful cook, to please each guest,
Would in one mixture comprehend a feast,
With due proportion and judicious care
He fills his dish with different sorts of fare,
Fishes and fowls deliciously unite,
To feast at once the taste, the smell, and sight.
So, Bernard, must a Miscellany be
Compounded of all kinds of poetry;
The Muses' olio, which all tastes may fit,
And treat each reader with his darling wit.
Wouldst thou for Miscellanies raise thy fame,
And bravely rival Jacob's mighty name,
Let all the Muses in the piece conspire;
The lyric bard must strike the harmonious lyre;
Heroic strains must here and there be found;
And nervous sense be sung in lofty sound;
Let elegy in moving numbers flow,
And fill some pages with melodious woe;
Let not your amorous songs too numerous prove,
Nor glut thy reader with abundant love;
Satire must interfere, whose pointed rage
May lash the madness of a vicious age;
Satire! the Muse that never fails to hit,
For if there's scandal, to be sure there's wit.
Tire not our patience with Pindaric lays,
Those swell the piece, but very rarely please;
Let short-breathed epigram its force confine,
And strike at follies in a single line.
Translations should throughout the work be sown,
And Homer's godlike Muse be made our own;
Horace in useful numbers should be sung,
And Virgil's thoughts adorn the British tongue.
Let Ovid tell Corinna's hard disdain,
And at her door in melting notes complain;
His tender accents pitying virgins move,
And charm the listening ear with tales of love
Let every classic in the volume shine,
And each contribute to thy great design;
Through various subjects let the reader range,
And raise his fancy with a grateful change.
Variety's the source of joy below,
From whence still fresh revolving pleasures flow.
In books and love, the mind one end pursues,
And only change the expiring flame renews.
Where Buckingham will condescend to give,
That honoured piece to distant times must live;
When noble Sheffield strikes the trembling strings,
The little Loves rejoice, and clap their wings;
Anacreon lives, they cry, the harmonious swain
Retunes the lyre, and tries his wonted strain,
'Tis he—our lost Anacreon lives again.
But, when the illustrious poet soars above
The sportive revels of the God of Love,
Like Mars's Muse, he takes a loftier flight,
And towers beyond the wondering Cupid's sight.
If thou wouldst have thy volume stand the test,
And of all others be reputed best,
Let Congreve teach the listening groves to mourn,
As when he wept o'er fair Pastora's urn.
Let Prior's Muse with softening accents move,
Soft as the strains of constant Emma's love:
Or let his fancy choose some jovial theme,
As when he told Hans Carvel's jealous dream;
Prior the admiring reader entertains
With Chaucer's humour, and with Spenser's strains.
Waller in Granville lives; when Mira sings,
With Waller's hand he strikes the sounding strings,
With sprightly turns his noble genius shines,
And manly sense adorns his easy lines.
On Addison's sweet lays attention waits,
And silence guards the place while he repeats;
His Muse alike on every subject charms,
Whether she paints the god of love, or arms:
In him pathetic Ovid sings again,
And Homer's Iliad shines in his Campaign.
Whenever Garth shall raise his sprightly song,
Sense flows in easy numbers from his tongue;
Great Phoebus in his learned son we see,
Alike in physic, as in poetry.
When Pope's harmonious Muse with pleasure roves
Amidst the plains, the murmuring streams, and groves,
Attentive Echo, pleased to hear his songs,
Through the glad shade each warbling note prolongs;
His various numbers charm our ravished ears,
His steady judgement far out-shoots his years,
And early in the youth the god appears.
From these successful bards collect thy strains;
And praise with profit shall reward thy pains:
Then, while calf's-leather-binding bears the sway,
And sheepskin to its sleeker gloss gives way;
While neat old Elzevir is reckoned better
Than Pirate Hill's brown sheets and scurvy letter;
While print-admirers careful Aldous choose,
Before John Morphew, or the Weekly News;
So long shall live thy praise in books of fame,
And Tonson yield to Lintott's lofty name.

J. Gay.

VERSES TO BE PREFIXED BEFORE BERNARD LINTOTT'S NEW MISCELLANY

Some Colinaeus praise, some Bleau,
Others account them but so so;
Some Plantin to the rest prefer,
And some esteem old Elzevir;
Others with Aldous would besot us;
I, for my part, admire Lintotus.—
His character's beyond compare,
Like his own person, large and fair.
They print their names in letters small,
But Lintott stands in capital:
Author and he with equal grace
Appear, and stare you in the face.
Stephens prints Heathen Greek, 'tis said,
Which some can't construe, some can't read;
But all that comes from Lintott's hand,
Even Rawlinson might understand.
Oft in an Aldous, or a Plantin,
A page is blotted, or leaf wanting:
Of Lintott's books this can't be said,
All fair, and not so much as read.
Their copy cost 'em not a penny
To Homer, Virgil, or to any;
They ne'er gave sixpence for two lines
To them, their heirs, or their assigns:
But Lintott is at vast expense,
And pays prodigious dear for—sense.
Their books are useful but to few,
A scholar or a wit or two;
Lintott's for general use are fit.

A. Pope.

TO MR. MURRAY

Strahan, Tonson, Lintott of the times,
Patron and publisher of rhymes,
For thee the bard up Pindus climbs,
My Murray.

To thee, with hope and terror dumb,
The unpledged MS. authors come;
Thou printest all—and sellest some—
My Murray.

Upon thy table's baize so green
The last new Quarterly is seen,—
But where is thy new Magazine,
My Murray?