'No praise of Addison's style,' Lord Lytton declares, 'can exaggerate its merits. Its art is perfectly marvellous. No change of time can render the workmanship obsolete. His manner has that nameless urbanity in which we recognize the perfection of manner—courteous, but not courtier-like; so dignified, yet so kindly; so easy, yet so high-bred. Its form of English is fixed—a safe and eternal model, of which all imitation pleases—to which all approach is scholarship—like the Latin of the Augustan age.'

So much for style. For the rest Hazlitt remarks that 'it is the extremely moral and didactic tone of the Spectator which makes us apt to think of Addison (according to Mandeville's sarcasm) as "a parson in a tie-wig"'. How often history repeats itself.

P. 15. Dodd.—His Beauties of Shakespeare, published in 1752, is still well known. Dodd was hanged for forgery, despite many efforts, including those of Dr. Johnson, on his behalf.

P. 16. Hunt.—The periods referred to by Leigh Hunt are 'the dark ages, as they are called', and 'the gay town days of Charles II, or a little afterwards'. In the first the essayist imagines 'an age of iron warfare and energy, with solitary retreats, in which the monk or the hooded scholar walks forth to meditate, his precious volume under his arm. In the other, I have a triumphant example of the power of books and wit to contest the victory with sensual pleasure:—Rochester staggering home to pen a satire in the style of Monsieur Boileau; Butler, cramming his jolly duodecimo with all the learning that he laughed at; and a new race of book poets come up, who, in spite of their periwigs and petit-maîtres, talk as romantically of "the bays" as if they were priests of Delphos.'

In Chapman's translation of Homer occur the words: 'The fortresses of thorniest queaches.' A queach is a thick bushy plot, or a quickset hedge.

You will see Hunt—one of those happy souls
Which are the salt of the earth, and without whom
This world would smell like what it is—a tomb.

Shelley. Letter to Maria Gisborne.

P. 17. Lamb.

What youth was in thy years,
What wisdom in thy levity, what truth
In every utterance of that purest soul!
Few are the spirits of the glorified