PROPINQUITY NEEDED

Celestine Silvousplait Justine de Mouton Rosalie,
A coryphée who lived and danced in naughty, gay Paree,
Was every bit as pretty as a French girl e'er can be
(Which isn't saying much).
Maurice Boulanger (there's a name that would adorn a king),
But Morris Baker was the name they called the man I sing.
He lived in New York City in the Street that's labeled Spring
(Chosen because it rhymed).
Now Baker was a lonesome youth and wanted to be wed,
And for a wife, all over town he hunted, it is said;
And up and down Fifth Avenue he ofttimes wanderéd
(He was a peripatetic Baker, he was).

And had he met Celestine, not a doubt but Cupid's darts
Would in a trice have wounded both of their fond, loving hearts;
But he has never left New York to stray in foreign parts
(Because he hasn't the price).
And she has never left Paree and so, of course, you see
There's not the slightest chance at all she'll marry Morris B.
For love to get well started, really needs propinquity
(Hence my title).
Charles Battell Loomis.

IN THE CATACOMBS

Sam Brown was a fellow from way down East,
Who never was "staggered" in the least.
No tale of marvellous beast or bird
Could match the stories he had heard;
No curious place or wondrous view
"Was ekil to Podunk, I tell yu."
If they told him of Italy's sunny clime,
"Maine kin beat it, every time!"
If they marvelled at Ætna's fount of fire,
They roused his ire:
With an injured air
He'd reply, "I swear
I don't think much of a smokin' hill;
We've got a moderate little rill
Kin make yer old volcaner still;
Jes' pour old Kennebec down the crater,
'N' I guess it'll cool her fiery nater!"
They showed him a room where a queen had slept;
"'Twan't up to the tavern daddy kept."
They showed him Lucerne; but he had drunk
From the beautiful Molechunkamunk.
They took him at last to ancient Rome,
And inveigled him into a catacomb:

Here they plied him with draughts of wine,
Though he vowed old cider was twice as fine,
Till the fumes of Falernian filled his head,
And he slept as sound as the silent dead;
They removed a mummy to make him room,
And laid him at length in the rocky tomb.
They piled old skeletons round the stone,
Set a "dip" in a candlestick of bone,
And left him to slumber there alone;
Then watched from a distance the taper's gleam,
Waiting to jeer at his frightened scream,
When he should wake from his drunken dream.
After a time the Yankee woke,
But instantly saw through the flimsy joke;
So never a cry or shout he uttered,
But solemnly rose, and slowly muttered:
"I see how it is. It's the judgment day,
We've all been dead and stowed away;
All these stone furreners sleepin' yet,
An' I'm the fust one up, you bet!
Can't none o' you Romans start, I wonder?
United States ahead, by thunder!"
Harlan Hoge Ballard.

OUR NATIVE BIRDS

Alone I sit at eventide;
The twilight glory pales,
And o'er the meadows far and wide
I hear the bobolinks—
(We have no nightingales!)
Song-sparrows warble on the tree,
I hear the purling brook,
And from the old manse on the lea
Flies slow the cawing crow—
(In England 'twere a rook!)

The last faint golden beams of day
Still glow on cottage panes,
And on their lingering homeward way
Walk weary laboring men—
(Alas! we have no swains!)
From farmyards, down fair rural glades
Come sounds of tinkling bells,
And songs of merry brown milkmaids
Sweeter than catbird's strains—
(I should say Philomel's!)
I could sit here till morning came,
All through the night hours dark,
Until I saw the sun's bright flame
And heard the oriole—
(Alas! we have no lark!)
We have no leas, no larks, no rooks,
No swains, no nightingales,
No singing milkmaids (save in books)
The poet does his best:—
It is the rhyme that fails.
Nathan Haskell Dole.