I love thee, Mary, and thou lovest me—
Our mutual flame is like th' affinity
That doth exist between two simple bodies:
I am Potassium to thine Oxygen.
'Tis little that the holy marriage vow
Shall shortly make us one. That unity
Is, after all, but metaphysical.
Oh, would that I, my Mary, were an acid,
A living acid; thou an alkali
Endow'd with human sense, that, brought together,
We both might coalesce into one salt,
One homogeneous crystal. Oh, that thou
Wert Carbon, and myself were Hydrogen;
We would unite to form olefiant gas,
Or common coal, or naphtha—would to heaven
That I were Phosphorus, and thou wert Lime!
And we of Lime composed a Phosphuret.
I'd be content to be Sulphuric Acid,
So that thou might be Soda. In that case
We should be Glauber's Salt. Wert thou Magnesia
Instead we'd form the salt that's named from Epsom.
Couldst thou Potassa be, I Aqua-fortis,
Our happy union should that compound form,
Nitrate of Potash—otherwise Saltpetre.
And thus our several natures sweetly blent,
We'd live and love together, until death
Should decompose the fleshly tertium quid,
Leaving our souls to all eternity
Amalgamated. Sweet, thy name is Briggs
And mine is Johnson. Wherefore should not we
Agree to form a Johnsonate of Briggs?
Unknown.

CATEGORICAL COURTSHIP

I sat one night beside a blue-eyed girl—
The fire was out, and so, too, was her mother;
A feeble flame around the lamp did curl,
Making faint shadows, blending in each other:
'Twas nearly twelve o'clock, too, in November;
She had a shawl on, also, I remember.
Well, I had been to see her every night
For thirteen days, and had a sneaking notion
To pop the question, thinking all was right,
And once or twice had make an awkward motion
To take her hand, and stammer'd, cough'd, and stutter'd,
But, somehow, nothing to the point had utter'd.

I thought this chance too good now to be lost;
I hitched my chair up pretty close beside her,
Drew a long breath, and then my legs I cross'd,
Bent over, sighed, and for five minutes eyed her:
She looked as if she knew what next was coming,
And with her feet upon the floor was drumming.
I didn't know how to begin, or where—
I couldn't speak—the words were always choking;
I scarce could move—I seem'd tied to the chair—
I hardly breathed—'twas awfully provoking!
The perspiration from each pore came oozing,
My heart, and brain, and limbs their power seem'd losing.
At length I saw a brindle tabby cat
Walk purring up, inviting me to pat her;
An idea came, electric-like at that—
My doubts, like summer clouds, began to scatter,
I seized on tabby, though a scratch she gave me,
And said, "Come, Puss, ask Mary if she'll have me."
'Twas done at once—the murder now was out;
The thing was all explain'd in half a minute.
She blush'd, and, turning pussy-cat about,
Said, "Pussy, tell him 'yes'"; her foot was in it!
The cat had thus saved me my category,
And here's the catastrophe of my story.
Unknown.

LANTY LEARY

Lanty was in love, you see,
With lovely, lively Rosie Carey;
But her father can't agree
To give the girl to Lanty Leary.
Up to fun, "Away we'll run,"
Says she, "my father's so contrary.
Won't you follow me? Won't you follow me?"
"Faith, I will!" says Lanty Leary.

But her father died one day
(I hear 'twas not by dhrinkin' wather);
House and land and cash, they say,
He left, by will, to Rose, his daughter;
House and land and cash to seize,
Away she cut so light and airy.
"Won't you follow me? Won't you follow me?"
"Faith, I will!" says Lanty Leary.
Rose, herself, was taken bad;
The fayver worse each day was growin';
"Lanty, dear," says she, "'tis sad,
To th' other world I'm surely goin'.
You can't survive my loss, I know,
Nor long remain in Tipperary.
Won't you follow me? Won't you follow me?"
"Faith, I won't!" says Lanty Leary.
Samuel Lover.

THE SECRET COMBINATION

Her heart she locked fast in her breast,
Away from molestation;
The lock was warranted the best—
A patent combination.
She knew no simple lock and key
Would serve to keep out Love and me.
But Love a clever cracksman is,
And cannot be resisted;
He likes such stubborn jobs as this,
Complex and hard and twisted,
And though we worked a many day,
At last we bore her heart away.
For Love has learned full many tricks
In his strange avocation;
He knew the figures were but six
In this, her combination;
Nor did we for a minute rest
Until we had unlocked her breast.

First, then, we turned the knob to "Sighs,"
Then back to "Words Sincerest,"
Then "Gazing Fondly in Her Eyes,"
Then "Softly Murmured 'Dearest;'"
Then, next, "A Warm Embrace" we tried,
And at "A Kiss" the door flew wide.
Ellis Parker Butler.