Wel, hee was bidden to supper the next night at her mother's, she thinking to make her daughter and him freends againe. In the meane time he to his woonted walk in the church, and there, præter expectationem, he found Lionello walking. Wondring at this, he straight enquires what newes. What newes, Maister Doctor, quoth he, and he fell in a great laughing; in faith yesterday, I scapt a scouring, for syrrha, I went to the grange- house, where I was appointed to come, and I was no sooner gotten up the chamber, but the magicall villeine, her husband, beset the house with bils and staves, and that he might be sure no seeling nor corner should shrowde me, he set the house on fire, and so burnt it downe to the ground. Why, quoth Mutio, and how did you escape? Alas, quoth he, wel fare a woman's wit; she conveighed me into an old chest full of writings, which she knew her husband durst not burne, and so I was saved and brought to Pisa, and yesternight, by her maide, let home to my lodging. This, quoth he, is the pleasantest jest that ever I heard; and upon this I have a sute to you: I am this night bidden foorth to supper, you shall be my guest, onely I will crave so much favour, as after supper for a pleasant sporte, to make relation what successe you have had in your loves. For that I will not sticke, quoth he, and so he conveyed Lionello to his mother-in-law's house with him, and discovered to his wive's brethren who he was, and how at supper he would disclose the whole matter; For, quoth he, he knowes not that I am Margaret's husband. At this all the brethren bad him welcome, and so did the mother to, and Margaret, she was kept out of sight. Supper time being come they fell to their victals, and Lionello was carrowst unto by Mutio, who was very pleasant, to drawe him into a merry humour, that he might to the ful discourse the effect and fortunes of his love. Supper being ended, Mutio requested him to tel to the gentlemen what had hapned between him and his mistresse. Lionello, with a smiling countenance, began to describe his mistresse, the house and street where she dwelt, how he fell in love with her, and how he used the councell of this doctor, who in all his affaires was his secretarye. Margaret heard all this with a great feare, and when he came to the last point, she caused a cup of wine to be given him by one of her sisters, wherein was a ring that he had given Margaret. As he had told how he had escapt burning, and was ready to confirme all for a troth, the gentlewoman drunke to him, who taking the cup and seeing the ring, having a quick wit and a reaching head, spide the fetch, and perceived that all this while this was his lover's husband to whome hee had revealed these escapes; at this drinking the wine and swallowing the ring into his mouth he went forward. Gentlemen, quoth he, how like you of my loves and my fortunes? Wel, quoth the gentlemen; I pray you is it true? As true, quoth he, as if I would be so simple as to reveal what I did to Margaret's husband; for, know you, gentlemen, that I knew this Mutio to be her husband whom I notified to be my lover; and for that he was generally known throughout Pisa to be a jealous fool, therefore, with these tales I brought him into paradice, which are follies of mine owne braine; for, trust me, by the faith of a gentleman, I never spake to the woman, was never in her companye, neyther doo I know her if I see her. At this they all fell in a laughing at Mutio, who was ashamde that Lionello had so scoft him. But all was well; they were made friends, but the jest went so to his hart that he shortly after died, and Lionello enjoyed the ladye.
Ser Giovanni's story, Roscoe observes, is "curious as having through the medium of translation suggested the idea of those amusing scenes in which the renowned Falstaff acquaints Master Ford, disguised under the name of Brooke, with his progress in the good graces of Mrs. Ford. The contrivances likewise by which he eludes the vengeance of the jealous husband are similar to those recounted in the novel, with the addition of throwing the unweildy knight into the river. Dunlop says that the same story has been translated is a collection entitled 'The Fortunate, Deceived, and Unfortunate Lovers,' and that Shakspeare may probably also have seen it in 'Tarlton's Newes out of Purgatorie,' where the incidents related in the Lovers of Pisa are given according to Straparola's story. Molière made a happy use of it in his 'Ecole des Femmes,' where the humour of the piece turns upon a young gentleman confiding his progress in the affections of a lady to the ear of her guardian, who believed he was on the point of espousing her himself." Two other French plays were based upon the story, one of which was written by La Fontaine under the title of "Le Maître en Droit." Readers of "Gil Blas" will also recollect how Don Raphael confides to Balthazar the progress of his amour with his wife, and expresses his vexation at the husband's unexpected return.
It is much to be regretted that nothing is known as to the date and place of the composition of the Breslau edition of The Nights, which alone contains this and several other tales found in the collections of the early Italian novelists.
THE KING WHO KENNED THE QUINTESSENCE OF THINGS.—Vol. XI. p. 212.
Although we may find, as already stated, the direct source of this tale in the forty-sixth chapter of Al-Mas'údi's "Meadows of Gold and Mines of Gems," which was written about A.D. 943, yet there exists a much older version—if not the original form—in a Sanskrit collection entitled, "Vetálapanchavinsatí," or Twenty- five Tales of a Vampyre. This ancient work is incorporated with the "Kathá Sarit Ságara," or Ocean of the Streams of Story, composed in Sanskrit verse by Somadeva in the 11th century, after a similar work, now apparently lost, entitled "Vrihat Kathá," or Great Story, written by Gunadhya, in the 6th century.[498] In the opinion of Benfey all the Vampyre Tales are of Buddhist extraction (some are unquestionably so), and they probably date from before our era. As a separate work they exist, more or less modified, in many of the Indian vernaculars; in Hindí, under the title of "Baital Pachísí"; in Tamil, "Vedala Kadai"; and there are also versions in Telegu, Mahratta, and Canarese. The following is from Professor C. H. Tawney's complete translation of the "Kathá Sarit Ságara" (it is the 8th recital of the Vetála):