But when Al-Mihrjan had heard the words of the Voice and what it had urged upon him of poetry and of prose-addresses, he arose from his rest in haste and anxiety until Allah caused the morn to morrow and break in its sheen and it shone, whereupon the King summoned the Mathematicians and the Interpreters of dreams and the Commentators on the Koran; and, when they came between his hands, he related to them his vision, fully and formally, and they practised their several arts, making all apparent to them; but they concealed the truth and would not reveal it, saying to him, "Indeed the consequence of thy vision is auspicious."— And Shahrazad was surprised by the dawn of day and fell silent and ceased saying her permitted say. Then quoth her sister Dunyazad, "How sweet and tasteful is thy tale, O sister mine, and how enjoyable and delectable!" Quoth she, "And where is this compared with that I would relate to you on the coming night an the Sovran suffer me to survive?" Now when it was the next night, and that was
The Six Hundred and Sixty-fifth Night,
Dunyazad said to her, "Allah upon thee, O my sister, an thou be other than sleepy, finish for us thy tale that we may cut short the watching of this our latter night!" She replied, "With love and good will!" It hath reached me, O auspicious King, the director, the right-guiding, lord of the rede which is benefiting and of deeds fair-seeming and worthy celebrating, that the Astrologers said to King Al-Mihrjan, "Verily the consequence of thy vision is auspicious;" and on the second night Iblis the Accursed appeared to him under the bodily form of a handsome man and said, "Ho thou the King, I am he who terrified thee yesternight in thy dream, for the reason that thou hast ruined the Monastery of the Archers[184] wherein I lay homed. However an thou wilt edify it again I will favour thee with my counsel, ho thou the King!" Al-Mihrjan replied, "Upon me be its rebuilding an thou wilt honour me with thy advice, ho thou the Voice!" Hereupon Iblis fell to lying with him and saying, "Verily I am thine aider in building thee a palace by the river Al-Kawá'ib,[185] O thou will of me and desire of me!" (Now the folk heard these words spoken aloud.) Then Al-Mihrjan arose from his sleep joyful and cheerful and when morning came he summoned the Mathematicians and Architects and Masons and bade them rebuild the Monastery of the Archers; so they obeyed his bidding until they had completed it in the handsomest fashion and with the best of workmanship. After that the King ordered they construct for his daughter Al-Hayfa a palace unsurpassed by any edifice and perfectly builded and decorated, hard by the river Al-Kawa'ib; moreover that it should be situate in a wady, a hill-girt plain through which meandered the stream. So they obeyed his bidding and laid its foundations and marked with large stones the lines thereof which measured a parasang of length by a parasang of breadth. Then they showed their design to the King, who gathering together his army returned with them to the city. Presently the Architects and Master-masons fell to building it square of corners and towering in air over the height of an hundred ells and an ell; and amiddlemost thereof stood a quadrangular hall with four-fold saloons, one fronting other, whilst in each was set apart a cabinet for private converse. At the head of every saloon a latticed window projected over the garden whereof the description shall follow in its place; and they paved the ground with vari-coloured marbles and alabastrine slabs which were dubbed with bezel stones and onyx[186] of Al-Yaman. The ceilings were inlaid with choice gems and lapis lazuli and precious metals: the walls were coated with white stucco painted over with ceruse[187] and the frieze was covered with silver and gold and ultramarine and costly minerals. Then they set up for the latticed windows colonnettes of gold and silver and noble ores, and the doors of the sitting chamber were made of chaunders-wood alternating with ebony which they studded with jewels and arabesque'd with gold and silver. Also they placed in each sitting-room a pillar of Comorin lign-aloes and the best of sandal-wood encrusted with gems; and over the speak-room they threw cupolas supported upon arches and connecting columns and lighted in the upper part by skylights of chrystal and carnelian and onyx. And at the head of each saloon was a couch of juniper-wood whose four legs were of elephants' ivories studded with rubies and over each was let down a hanging[188] of golden weft and a network of gems, whilst higher than the whole was a latticed casement adorned with pearls which were threaded upon golden wire and curtains bearing scented satchels of ambergris. The furniture of the divans was of raw silk stuffed with ostrich- down and the cushions were purfled with gold. The floors of all the saloons were spread with carpets and rugs embroidered with sendal, and in the heart of the Great Hall amiddlemost the four saloons rose a marble jet-d'eau, square of shape, whose corners were cunningly wrought and whose floor and marge were set with gems of every hue. They also placed upon the edges of that fountain figures fashioned of gold and silver representing all manner birds and beasts, each modelled according to his several tint and peculiar form; their bellies too were hollow and from the fountain was conducted a conduit which led the water into their insides and caused it gush from their mouths so that they jetted one at other like two hosts about to do battle. After this the same water returned to the middle of the fountain and thence flowed into the gardens, of which a description will follow in its place.[189] Also the walls of the Great Hall were variegated with wondrous pictures in gold and lapis lazuli and precious materials of every kind, and over the doors of the sitting-places they hung candelabra of chrystal with chains of gold wherein were set jewels and jacinths and the costliest stones; after which they inscribed upon the entrance of the speak-rooms couplets to the following purport,
"Clear and clean is our seance from slanderous foe; * And from
envious rival whose aim is blame:
None hither may come save the cup-boy, and eke * Cup-comrades who
never our fame defame."
Upon the chandeliers themselves were inscribed these lines,
"I am raised in reverence high o'er head * For they see that my
gift is the boon of light:
I'm a pleasure to eyesight, so up with you all, * O Seers, and
joy ye the joys of my sight."
And upon the Palace-door was inscribed the following quatrain,
"This Mansion's adorned * As delight to mans eye;
O'er its door writ is 'Welcome,' * So safely draw nigh."