These points should be borne in mind by those who have books to sell. They should remember, also, that the public is to-day no longer interested in many subjects on which books were printed in the past. It should also be known that the arts, the sciences, and the professions, have made such advances that old books on these subjects are of little more value than waste paper, excepting in the few notable cases of books which are of historical importance to the student as landmarks of progress. The omission of these works, of obsolete fiction, and the books of the hour, reduce the bulk of the ordinary collection to a small value.
It may then properly be asked where the valuable books come from, and how are they obtained? It may safely be stated that most rarities to-day are discovered in out-of-the-way places, in old collections or libraries, attics, or from sources which have not been investigated by the keen-eyed collectors and dealers. There are comparatively few houses, at least in the most thickly settled parts of this country, which have no books, and in a considerable number of these collections there are at least some books which have a degree of rarity and a special commercial value. The large private libraries are also constantly being dispersed, and, excepting always the books which are being absorbed by the permanent collections of public institutions, form a constant supply, passing from the owner to dealer, from him to a new owner, only to find their way eventually to the market again.
Books are not valuable merely because of age (excepting those printed in the fifteenth century), nor solely on account of their rarity. It is quite apparent that a rare book for which there is no demand can have no value. It is the combination of desirability and rarity which gives value, and that value fluctuates with the demand, being subject to the caprice of the collector or the fashion of the day. This may be illustrated by the collecting of first editions. Thirty years ago the first editions of modern authors brought small prices; twenty years later they were eagerly sought for; while now a reaction is taking place, and only the great rarities in this line find a ready sale.
At the present time the books which are most quickly sold in this country are those relating to American history, particularly those on the discovery and settlement of the continent, the Indians, the American Revolution, navy, local history, and genealogy, etc. Books on these subjects which are really rare, find a ready sale.
First editions of the early books in belles-lettres, books with presentation inscriptions from their authors, books containing unusual examples of early engravers, or those made famous by the illustrative work of such artists as Rowlandson, Leech, and Cruikshank; these are a few of the lines in which there are numerous collectors, but it should be understood that they are only a few of the more conspicuous out of hundreds of similar lines of interest. The number of collectors is multiplying with the increase of the country's wealth, and there is a growing tendency for collectors to take up new subjects, which very much broadens the interest in the books of bygone days. To enumerate these subjects at length would be but to detail the personal interests and hobbies of thousands of cultivated collectors. It may be safely prophesied that books which are regarded to-day as rare and desirable by any considerable number of collectors will, on the whole, command a steady increase in value. The tendency, however, is strongly toward a decrease in the value of books of moderate value and a large increase in the value of especially desirable items. The accounts given in the daily press of the finding of valuable books are the innocent means of misleading a great many people, who labor under the delusion that because one early edition of a book commands a large price, another edition of about the same time must necessarily have the same value. This is one of many errors which the public entertains regarding rare books. Not only does a few years' difference in the date of publication mean the difference between a large value and none at all, but often two editions, apparently the same, bearing identical title-pages, possess differences in text, which are known only to the expert, but which make a vast difference in their value. Books otherwise valuable, but containing material defects (such as lack of pages or portions of pages), are thereby very much reduced in value; in fact, the value of an imperfect book is usually but a small fraction of that of a perfect example. Not only do these grosser defects reduce the value, but it sometimes happens that the mere absence of a half title, or advertising leaves, or even the flyleaves, will make a considerable difference. Such points also as the size of the copy, whether it is in original binding or not, or, if rebound, whether the edges have been trimmed by the binder,—these all have an important bearing upon prices. As a rule, the nearer the book is to the original state in which it left the publisher's hands, the more valuable it will be.
The art of the second-hand bookseller requires a knowledge of the science of bibliography, and painstaking attention to the details and orderly arrangement of stock, with a classification by subjects. Other things are desirable, but these are indispensable. The stock of second-hand books should be kept in such a manner that any book inquired for can be instantly located. Nothing is more irritating both to the dealer and to the customer than an unsuccessful search for a book known to be in stock. There are probably very few books which at some time will not be desired by some person; in fact, a large portion of the books in a dealer's stock would be instantly sold if he could understand the particular feature which would be of interest to the possible customer. Usually, the feature is there, and the customer exists. It is the bookseller's business to find both.
There is no business in which a thorough knowledge of the stock and a painstaking attention to small details are of more importance than in the selling of books, and without them the second-hand bookseller's establishment degenerates to the level of the junk shop.[Back to Contents]
Footnote 1: The word "typographer" is used to differentiate between the compositor and the printer, the latter being the one who does the presswork.[(Back to main text)]
Footnote 2: If the book is to be illustrated, the author or publisher should be particular to indicate the position of all cuts by pasting proofs of them on the margin of the galley-proofs nearest the place desired. The time occupied by the "make-up" in "overrunning" matter for the insertion of cuts is charged as "author's time," and they can be inserted at less expense in the galley-proofs while making-up the type into pages than at any other time. All alterations, so far as practicable, for the same reason, should also be made in the galley-proofs, especially those which involve an increase or decrease in the amount of matter, since changes of this nature made in the page-proof necessitate the added expense of a rearrangement of the made-up pages of type.[(Back to main text)]
Footnote 3: If one sheet of paper were run through the press before "making ready," it would not receive any impression, there being a space equal to the thickness of ten sheets of paper between the cylinder and the surface of the type. A bunch of six or eight sheets is therefore run through to get an impression for "make-ready" purposes.[(Back to main text)]