[47] Inter alia, those in the R. Kann, M. Kann, and Schloss collections (Paris); the Teixeira de Mattos collection (Holland), etc., etc.

[48] Rosini ‘Storia,’ III, p. 28. In 1828 it was owned by an Abate L. Celotti of Venice. Messrs. Crowe and Cavalcaselle suspect that it may be the panel described in 1742 in the catalogue of the collection of the Prince du Carignan as ‘Vierge et un petit S. Jean par André Solario, dans le gout de Léonard de Vincy’ (sold for 240 livres). See also Mündler, ‘Essai d’une Analyse Critique,’ etc., Paris, Firmin Didot, 1850.

[49] Published as Solario’s in my ‘Lorenzo Lotto,’ p. 95, note.

[50] Mr. Horne hopes before long to publish these works in The Burlington Magazine.

[51] Appendix, Doc. VIII,

[52] Appendix, Doc. VII.

[53] l. c., ed. 1568, Vol. I, p. 47.

[54] C. Cennini, ‘Il Libro dell’ Arte,’ Firenze, 1859, cap. 141, p. 94.

[55] The painter from whom Baldovinetti purchased this ‘biadetto’ was ‘Lorenzo dipiero randeglj dipintore in borgho so apostolo’; so named in an entry of the year 1472 in the ‘Libro Rosso’ of the Compagnia di San Luca, fol. 90 tergo. This Lorenzo was, no doubt, the ‘Lorenzo dipiero dip[a]pa, dipintore,’ of the popolo of ‘Santa Maria di Verzaia drento alle mura,’ who in 1498 returned his ‘Portata della Decima,’ in Gonfalone Drago, Quartiere di Santo Spirito. He was then living in a house which he had bought in 1483, situated in the Via San Gallo; and he still rented ‘vna botegha aduso didipintore, posta in firenze in borgho santo appostolo enelpopolo di santo stefano a ponte.’—Firenze: Archivio di Stato; l. c. Campione 2do, No verde 28, fol. 909.

[56] Cennini, ed. 1859, cap. 61, p. 37.