Dim in the noonday fullness,
Dark in the day's sweet morn—
So sacred and deep are the canyons
Where the beautiful rivers are born.
LILLIAN H. SHUEY,
in Among the Redwoods.
JUNE 23.
The glow of the days of Comstock glory was still in the air. San Francisco was still the city of gold and silver. The bonanza kings had not left it, but were trying to accommodate themselves to the palaces they were rearing with their loose millions. Society yet retained its cosmopolitan tone, careless, brilliant, and unconventional. There were figures in it that had made it famous—men who began life with a pick and shovel and ended it in an orgy of luxury; women, whose habits of early poverty fell off them like a garment, and who, carried away by their power, displayed the barbaric caprices of Roman empresses.
The sudden possession of vast wealth had intoxicated this people, lifting them from the level of the commonplace into a saturnalia of extravagance. Poverty, the only restraint many of them had ever felt, was gone. Money had made them lawless, whimsical, bizarre. It had developed all-conquering personalities, potent individualities. They were still playing with it, wondering at it, throwing it about.
GERALDINE BONNER,
in Tomorrow's Tangle.