Translated by Fred. G. Bowles

ALL SOULS’ DAY AT VENICE

They had put a bridge of boats from the northernmost quay of Venice to the cemetery island. A dense crowd, coming and going across it, black over the black anchored barges, each two with their yard of pale water between their tarred hulls. And, as we draw near, as we go beneath, the seeming silence turns into a murmur, and a rumble.

For this one day in all the year the cemetery island is bridged on to the islands of the living. This is no mere coincidence, but a real symbol.

The cloisters and the gardens are full as for a fair, crowds coming and going, buying tapers, lighting them at the glittering wax-lights before the chapel, bringing a few flowers.... Surely for these poor folk there is a reality, if only a negative one, in this suspending of the labour, cares, the empty grind of life; and their hour of watching by the dead may be, in some way deeper than words can say, an hour of communing with the eternities.

While thus the cemetery was given up to the living and to the long dead, the scarcely dead, the real dead, were arriving here and there with the real mourners. I noted a mound of fresh earth, with the ritual trowel sticking in it, a couple of surpliced and shaven Franciscans reciting the prayers to a few blear, red-eyed people (a nun among them); all these new-comers and their ministering clergy seeming a little scared by intruding their own dead man or woman into this great public feast of those who have long passed beyond. And the crowd, on its side, looked surprised at this new and definite reality of loss in the midst of its vaguer mournings; this man or woman, only just dead, carried in among those shadowy memories.

Very touching also were the little framed photographs, clean and evidently taken off some poor table or wall, and hung on the cross for the afternoon; the dead pauper having his effigy also on his grave, like the rich man among his marble, if only for those few hours.

As we got back into the gondola the crowd was streaming only one way along the black bridge; away from the cemetery, back into life.

VERNON LEE.

VENICE IN WINTER