Thus did Venice rise.

Thus flourish.

SAMUEL ROGERS.

[1] Attila.

THE FAIRY DAYS OF VENICE

The absence of horses and carriages and the resonance of the canal make Venice the most delightful city for unceasing songs and serenading. One must be an enthusiast indeed to fancy that the gondolier choruses are better than those of the opera at Paris, as I have heard asserted by some individuals of a particularly happy temperament, but it is quite certain that one of those choruses, heard from afar under the arcades of these Moorish palaces, looking so white in the moon’s rays, gives more pleasure even than better music executed under a colonnade formed of painted canvas. These rough uncultivated dilettanti shout in tune and time; and the calm marble echoes prolong these rude and grave harmonies, like the winds over the sea. The magic of acoustic effect, and the desire to hear some sort of harmony in the silence of these enchanted nights, make one listen with indulgence, and almost I may say with gratitude, to the humblest melody which floats by, and is lost in the distance.... Fairy days of Venice.... No one has ever said enough of the beauty of the heavens, and the delights of the night at Venice. The lagoon is so calm, that in fine evenings, the stars do not even tremble on its surface. When you are in the midst, it is so blue, so quiet that the outline of the horizon cannot be distinguished, and the waves and the heavens form an azure veil, where reverie loses itself and sleeps. The atmosphere is so transparent, so pure that thousands more stars may be seen, than in our North of France. I have seen here, nights, when the silvery lustre of the stars occupied more space in the firmament than the blue of the atmosphere. It was a galaxy of diamonds giving almost as good a light as the moon at Paris.... Here Nature, more powerful in her influence, perhaps, imposes too much silence on the mind; she sends all thought to sleep, but agitates the heart, and dominates the senses. One must not even dream, unless one is a man of genius, of writing poems during these voluptuous nights: one must love or sleep.

As for sleeping, there is a most delicious spot: the platform of white marble which descends from the Viceroy’s gardens to the canal. When the ornamented gate is shut on the garden-side, one can go in a gondola to these steps, still warm from the rays of the setting sun, and remain without being interrupted by any inopportune stroller, unless he be endowed with the faith so much needed by St. Peter. Many hours have I passed there alone, thinking of nothing, whilst Catullo and his gondola slumbered in the midst of the waters, within call.

When the breath of midnight passes over the linden-trees, and scatters their blossoms over the waters, when the perfume of wallflowers and geraniums rises in gusts, as though the earth gave forth her sighs of fragrance to the moon; when the cupolas of St. Mary raise towards heaven their alabaster hemispheres and their turban-crowned minarets; when all is white, the water, the sky, the marble, the three elements of Venice, and when from the tower of St. Mark a giant sound hovers over my head, then I begin to feel life through every pore, and evil be to him who should then come to make an appeal to my soul! I vegetate, I repose, I forget. Who would not do the same in my place?... I defy anyone, no matter who, to prevent me from sleeping happily when I see Venice, so impoverished, so oppressed, so miserable, still so beautiful, so calm, in spite of men and of time. Behold her, round me, admiring herself in the lagoons with the air of a sultana; and this populace of fishermen, sleeping on the pavement, winter as well as summer, with no other pillow than one of granite, no other mattress than a tattered cloak; is not such a populace a great example of philosophy? When it has no longer wherewithal to purchase a pound of rice, it sings a chorus to drive away the pangs of hunger; thus braving masters and misery, as it used to brave cold, heat, and the sudden tempest. It would require many years of slavery to imbrute entirely this careless frivolous character, so accustomed for many years to be nourished with fêtes and diversions. Existence is still so easy at Venice!

GEORGE SAND.

VENICE THE PROUD