Acres, Bob.—A character in Sheridan’s The Rivals, celebrated for his cowardice and his peculiar method of allegorical swearing.
Adam.—(1) Adam is a character frequently alluded to in the Talmud. Many strange legends are related of him. He was buried, so Arabian tradition says, on Aboncais, a mountain of Arabia. (2) In As You Like It, Shakespeare, he is an aged servant to Orlando and offers to accompany Orlando in his flight and to share with him his carefully-hoarded savings of five hundred pounds. (3) In Shakespeare’s Comedy of Errors, Adam is an officer known by his dress, a skin-coat.
Adamastor (ad-am-ȧs´tor).—The phantom of the Cape of Good Hope in the Lusiad: a terrible spirit described by Camoens as appearing to Vasco da Gama and prophesying the misfortunes which should fall upon other expeditions to India.
Adam Bede (bēd).—A novel by George Eliot, the chief character of which is a young carpenter, a keen and clever workman, somewhat sharp-tempered and with a knowledge of some good books. He has an alert conscience, good common sense and “well-balanced shares of susceptibility and self-control.” He loves Hetty Sorrel, but finally marries Dinah Morris.
Adams, Parson.—A character in Fielding’s story of Joseph Andrews, distinguished for his goodness of heart, poverty, learning, and ignorance of the world, combined with courage, modesty, and a thousand oddities.
Adonais (ad-ō-nā´is).—An elegiac poem by Shelley, commemorating the death of Keats. The name was coined by Shelley probably to hint an analogy between Keats’ fate and that of Adonis.
Advancement of Learning, The.—A prose treatise by Francis, Lord Bacon, which contains not only the germ of his Latin work, De Augmentis Scientiarum, but really the pith and marrow of the Baconian philosophy, if taken in connection with the second book of the Novum Scientiarum Organum. An analysis of the work may be read in Hazlitt’s Lectures on the Literature of the Age of Elizabeth.
Æneid (ē-nē´id), or Æneis (-is).—An epic poem, in twelve books, by Vergil, recounting the adventures of Æneas after the fall of Troy, founded on the Roman tradition that Æneas settled in Latium and became the ancestral hero of the Roman people. The hero, driven by a storm on the coast of Africa, is hospitably received by Dido, queen of Carthage, to whom he relates the fall of Troy and his wanderings. An attachment between them is broken by the departure of Æneas, in obedience to the will of the gods, and the suicide of Dido follows. After a visit to Sicily, Æneas lands at Cumæ in Italy. In a descent to the infernal regions he sees his father, Anchises, and has a prophetic vision of the glorious destiny of his race as well as of the future heroes of Rome. He marries Lavinia, daughter of Latinus, king of the Latini, and a contest with Turnus, king of the Rutuli, the rejected suitor follows, in which Turnus is slain. The poem is a glorification of Rome and of the Emperor Augustus, who, as a member of the Julian gens, traced his descent from Julus (sometimes identified with Ascanius), the grandson of Æneas.
Agamemnon (ag-ȧ-mem´non).—The greatest of the tragedies of Æschylus. The scene is laid in Argos, in the palace of Agamemnon, at the time of the king’s return from the capture of Troy; the catastrophe is the murder (behind the scenes) of Agamemnon and Cassandra (whom he has brought captive with him) by the queen Clytemnestra, urged on by her paramour Ægisthus.
Agnes.—(1) A young girl in Molière’s L’Ecole des Femmes, who affects to be remarkably simple and ingenuous. The name has passed into popular use, and is applied to any young woman unsophisticated in affairs. (2) A strong womanly character in David Copperfield who proves a true friend to David’s “child-wife,” Dora, and to David himself. Later Dora dies and David marries Agnes.