Iliad (il´ē-ad).—A famous Greek epic poem by Homer. It is the tale of the siege of Troy, in twenty-four books. It is written in Greek hexameters, and commemorates the deeds of Achilles and other Greek heroes at the siege of Troy. Books one, two and three are introductory to the war. Paris proposes to decide the contest by a single combat, and Menelaus accepts the challenge. Paris, being overthrown, is carried off by Venus, and Agamemnon demands that the Trojans shall give up Troy in fulfillment of the compact, and the siege follows. The gods take part, and frightful slaughter ensues. At length Achilles slays Hector, and the battle is at an end. Old Priam, going to the tent of Achilles, craves the body of his son Hector; Achilles gives it up, and the poem concludes with the funeral rites of the Trojan hero. Vergil continues the tale from this point, shows how the city was taken and burnt, and then continues with the adventures of Æneas, who escapes from the burning city, and makes his way to Italy.
Imogen (im´ō-jen).—The wife of Posthumus, and the daughter of Cymbeline in the play of Shakespeare’s under title Cymbeline. “Of all Shakespeare’s women,” says Hazlitt, “she is, perhaps, the most tender and the most artless.”
Incantation.—Is derived from a Latin root meaning simply “to sing.” It is the term in use to denote one of the most powerful and awe-inspiring modes of magic, resting on a belief in the mysterious power of words solemnly conceived and passionately uttered.
Inchcape Rock.—It is dangerous for navigators, and therefore the abbot of Aberbrothock fixed a bell on a float, which gave notice to sailors. Southey says that Ralph the Rover, in a mischievous joke, cut the bell from the buoy, and it fell into the sea; but on his [801] return voyage his boat ran on the rock, and Ralph was drowned. Precisely the same tale is told of St. Goven’s bell.
Inferno, The.—Divine Comedy, Dante. Epic poem in thirty-four cantos. Inferno is the place of the souls who are wholly given up to sin. The ascent is through Purgatory to Paradise.
Ingoldsby Legends (ing´gōldz-bi lej´endz, or lē´jendz).—A collection of legends in prose and verse, supposed to have been found in the family chest of the Ingoldsby family, and related by Thomas Ingoldsby. Of the poetical pieces it is not too much to say that, for originality of design and diction, for quaint illustration and musical verse, they are not surpassed in the English language. From the days of Hudibras to our time, the drollery invested in rhyme has never been so amply or so felicitously exemplified; and if derision has been unsparingly applied, it has been to lash knavery and imposture.
In Memoriam.—A poem by Alfred Tennyson, published in 1850, and consisting of one hundred and thirty “short swallow flights of song,” in a measure which Tennyson has made his own. It is well known that these “brief lays, of sorrow born,” were written in memory of the author’s friend, Arthur Henry Hallam, who died in 1833. They are characterized by George MacDonald as forming “the poem of the hoping doubters, the poem of our age—the grand minor organ fugue of In Memoriam. It is the cry of the bereaved Psyche into the dark infinite after the vanished love. His friend is nowhere in his sight, and God is silent. Death, God’s final compulsion to prayer, in its dread, its gloom, its utter stillness, its apparent nothingness, urges the cry. Moanings over the dead are mingled with the profoundest questionings of philosophy, the signs of nature, and the story of Jesus, while now and then the star of the morning, bright Phosphor, flashes a few rays through the shifting cloudy dark. And if the sun has not arisen on the close of the book, yet the aurora of the coming dawn gives light enough to make the onward journey possible and hopeful.”
Innocents Abroad.—By Mark Twain. Travelers seeing Europe without any illusions. The fun consists in an irreverent application of modern common sense to historic associations, ridiculing sentimental humbug. An air of innocence and surprise adds to the drolleries of their adventures.
Instauratio Magna (in-stâ-rā´shi-ō mag´nä).—The title (The Great Restoration) which Bacon gave to his Magnum Opus, the design of which was for six divisions:—(1) The Advancement of Learning; (2) the Novum Organum; (3) the Experimental History of Nature; (4) the Scala Intellectus, which leads from experience to science; (5) the Bodronic, or anticipations of the second philosophy; and (6) Active Science, or experiment. Of these, only the first two, and a portion of the third (Sylva Sylvarum), were published. The idea that was to run through the Instauratio was that invention must be based upon experience, and experience upon experiment.
Interludes, The.—Springing from the moralities and bearing some resemblance to them, though nearer the regular drama, are the interludes, a class of compositions in dialogue, much shorter and more merry and farcical. They were generally played in the intervals of a festival.