Peregrine Pickle (per´e-grin pik´l).—The title of a novel by Smollett. Peregrine Pickle is a savage, ungrateful spendthrift, fond of practical jokes, and suffering with evil temper the misfortunes brought on himself by his own willfulness.
Peter Bell.—A tale in verse, by Wordsworth. A wandering tinker, subject of Wordsworth’s poem, whose hard heart was touched by the fidelity of an ass to its dead master. Shelley wrote a burlesque of this poem, entitled Peter Bell the Third, intended to ridicule the ludicrous puerility of language and sentiment which Wordsworth often affected. This burlesque was given the name of the Third because it followed a parody already published as Peter the Second.
Petruchio (pe-trö´chō, or ki-ō).—A gentleman of Verona, in Shakespeare’s Taming of the Shrew. A very honest fellow, who hardly speaks a word of truth, and succeeds in all his tricks. He acts his assumed character to the life, with untired animal spirits, and without a particle of ill-humor.
Phædo (fē´dō), or Phædon (fe´don).—An ancient and well known work by Plato, in which the doctrine of the immortality of the soul is most fully set forth. It is in the form of a dialogue, which combines, with the abstract philosophical discussion, a graphic narrative of the last hours of Socrates, which, for pathos and dignity, is unsurpassed.
Phédre (fā´dr).—A tragedy by Racine, produced January 1, 1677. It was founded on the story of Phædra, daughter of Minos, king of Crete, and wife of Theseus. [810] She conceived a criminal love for Hippolytus, her stepson, and, being repulsed by him, accused him to her husband of attempting to dishonor her. Hippolytus was put to death, and Phædra, wrung with remorse, strangled herself. Phédre was the great part of Mdlle. Rachel; she first appeared in this character in 1838. It is unquestionably the most remarkable of Racine’s regular tragedies. By it the style must stand or fall, and a reader need hardly go farther to appreciate it. For excellence of construction, artful beauty of verse, skillful use of the limited means of appeal at the command of the dramatist, no play can surpass Phédre.
Philip.—The Madness of Philip, Josephine Daskam. A representation of the unregenerate child—“the child of strong native impulses who has not yet yielded to the shaping force of education; the child, therefore, of originality, of vivacity, of humor, and of fascinating power of invention in the field of mischief.”
Philippics (fi-lip´iks), The.—A group of nine orations of Demosthenes, directed against Philip of Macedon. The real adversary in all these famous speeches is not so much the king of Macedon as the sloth and supineness of the Athenians, and the influence of the peace party, whether honest or bribed by Philip. They are the first Philippic, urging the sending of a military force to Thrace, delivered 351 B. C; three orations in behalf of the city of Olynthus (destroyed by Philip), delivered in 349-348; the oration On the Peace, 346; the second Philippic, 344; the oration On the Embassy, 344; the speech On the Chersonese, 341; and the third Philippic, 341.
The name is also given to a series of fourteen orations of Cicero against Mark Antony, delivered 44-43 B. C.
Philtra.—Faërie Queene, Spenser. A lady of large fortune, betrothed to Bracidas; but, seeing the fortune of Amidas daily increasing, and that of Bracidas getting smaller, she attached herself to the more prosperous younger brother.
Phineas (fin´e-as).—Uncle Tom’s Cabin, Mrs. Stowe. The quaker, an “underground railroad” man who helped the slave family of George and Eliza to reach Canada, after Eliza had crossed the river on cakes of floating ice.