DARIUS III. LAST OF THE
PERSIAN EMPERORS
In 336 B. C., the last king of the Persian Empire, Darius III., surnamed Codomannus, succeeded to power. With the great battle in the plains of Gaugamela, in Assyria, known as the battle of Arbela, from a town fifty miles distant, where Darius had his headquarters before the struggle, the Persian Empire came to an end in October, 331 B. C. The defeat of Darius was decisive; and in 330 he was murdered in Parthia by Bessus, one of his satraps. Asiatic Aryans had succumbed at last to their kinsmen of Europe, who, after repelling Oriental assaults upon the home of a new civilization, had carried the arms of avenging ambition into Asia, and struck a blow to the heart of the older system.
SCIENCE AND THE ARTS IN PERSIA
In science, art, and learning, the Persians developed nothing that was new, except in architecture. In the conquest of the Assyrians, Babylonians, Phœnicians, and Egyptians, the Persian kings and nobles came into possession alike of the scientific acquirements and learning of those peoples, and of the products of their mechanical arts. The Persians were soldiers, and not craftsmen, and had no need to be producers, when they could be purchasers, of the carpets and muslins of Babylon and Sardis, the fine linen of Egypt, and the rich variety of wares that Phœnician commerce spread throughout the empire.
Architecture.—In architecture, they were at first pupils of the Assyrians and Babylonians. The splendid palaces and temples of Nineveh and Babylon had existed for centuries before the Persians were anything more than a hardy tribe of warriors, and it was only after the acquirement of imperial sway that they began to erect great and elegant buildings for themselves. When that time came, the Persians showed that they could produce, by adaptation of older models, an architectural style of their own. This style was one that comes between the sombre, massive grandeur of Assyrian and Egyptian edifices and the perfect symmetry and beauty of the achievements of Greek art.
Palaces and Tombs, not temples, were the masterpieces of Persian building. The ruins of the city of Persepolis, in the province of Persis, are the most famous remains of Persian architecture. Here, on a terraced platform, stood vast and splendid palaces, the doorways adorned with beautiful bas-reliefs. The great double staircase leading up to the “Palace of Forty Pillars” is especially rich in sculptured human figures. The columns are beautiful in form, sixty feet in total height, with the shaft finely fluted, and the pedestal in the form of the cup and leaves of a pendent lotus. Throughout the ruins a love of ornament and display is visible. In the bas-reliefs are profuse decorations of fretwork fringes, borders of sculptured bulls and lions, and stone-work of carved roses.
PERSIAN CITIES
Babylon has been [already described].
Ecbatana, formerly the capital of the Median Empire, was a very ancient city, surrounded by seven walls, each overtopping the one outside it, and surmounted by battlements painted in five different colors, the innermost two being overlaid with silver and with gold. The strong citadel inside all was the royal treasury.
Susa was a square-built city unprotected by walls, but having strongly fortified citadel, containing a royal palace and treasury. The only remains of the place are extensive mounds, on which are found fragments of bricks and broken pottery with cuneiform inscriptions.