[PREFACE.]
To Herrmann Ploucquet, Preserver of Objects of Natural History at the Royal Museum of Stuttgart,—the capital of the kingdom of Wurtemberg,—we are indebted for one of the cleverest and most popular displays in the Great Exhibition. Every one, from her Majesty the Queen down to the least of the charity-boys, hastens to see the Stuffed Animals from the Zollverein; every one lingers over them and laughs at them as long as the crowd will allow; and every one talks of them afterwards with a smile and a pleasing recollection.
That these clever productions of Ploucquet’s talent may be long perpetuated, we have had daguerreotypes of them taken by Mr. Claudet, and engravings made from them on wood as faithfully like as possible.
We must beg our readers to remember that, excepting “Reynard the Fox,” our sketches have been written to illustrate the drawings, for on this plea we claim some indulgence; but as we know full well that the pictures will be the main attraction of the volume, we are not apprehensive of much criticism.
The story of “Reynard the Fox” is told briefly in the words of an old version of this wonderful tale published in England many years ago. In Germany Reinecke Fuchs is as popular as our “Jack the Giant-Killer.” Carlyle says, “Among the people it was long a house-book and universal best companion; it has been lectured on in Universities, quoted in imperial Council-halls; it lay on the toilets of princes, and was thumbed to pieces on the bench of the artisan: we hear of grave men ranking it next to their Bible.”
Goethe took the story of “Reynard” for the subject of a great poem; and the famous painter Kaulbach has recently illustrated Goethe’s version with perhaps the finest series of pictures with which a book was ever adorned.
Herrmann Ploucquet has had the good taste to select six of these designs as models for his works. He has admirably preserved the expression which the painter gave to the Fox and his dupes, and every one recognises them with pleasure.