in back play. Shrewsbury will tell one to get back far enough, moving back with the ball. This obviously gives one more time to see the ball and its break, turning a ball that is just a trifle short into a ball that is nearly a long hop; if the legs be—as they often are—in front of the wicket, so as to give a still better sight of the ball and also to save a play-on, then the retreat of the right foot is obviously useful. Others, however, do not move it in front of the wicket. But nearly all back-play is actually practised with the retirement of the right foot. Murdoch’s words are worth quoting at some length:—
“In the majority of cases, my experience has been that, by moving the right foot as much or as little as judgment dictates, the stroke is made with far more ease than by having your right foot a fixture. If you will take the trouble to notice all players, you will see for yourself that in almost every case when they are playing back the right foot is always moved. And, again, you will find you have far more command and power over the ball, and especially so over a rising one, and you can finish your stroke in a far safer way.... My advice to you is to move the right foot when, in your judgment, it requires it; if you find you can play the ball with ease by not moving it, well and good; but should you at any time think you could play the ball better by getting back a little, why do so, and you will find it will give you a particle more time and enable you to make things very much easier.
“I think the art of boxing very applicable to forward and back play of cricket, for whilst boxing is nearly all forward strokes, there are many times when a boxer has to get back, and he generally finds what a great difference there is in receiving a hit whilst standing principally on his right foot, and when he has moved it a few inches in getting back. So it is with your back-play at cricket, the velocity of the ball is not so great two feet back from your crease as it is right on it. The advantage of time is no doubt momentary, but still it is an advantage, and one that I have proved and seen to be very beneficial.”
One kind of glide-stroke forms a special branch of back-play: it is to be seen in the photograph of Abel (IV.). Ranjitsinhji is the master of this most useful stroke; he plays it for balls on the wicket as well as for balls to leg. Others use it chiefly or solely for balls off the wicket. For this stroke I believe every player has the right foot back. The bat’s face is held not flat towards the bowler, but slanting in one of many directions on the leg-side, according to the spot to which one wishes to place the ball.
The “half-cock” stroke is Grace’s favourite help in time of trouble. When he hesitates between forward and back-play, and especially after he has decided on forward-play and
IV.—The glide: both feet well back.
[To face page [28].