The first pieces of advice to all players of games will be, “Get at the reason why, and the means by which.” Why should one not flourish the bat before a stroke? Partly because this sends the bat out of the straight line and loses time. Why should one move the bat near to the left foot in forward-play? Partly because this will give power by keeping the weight of the body near to the bat, and because it will give safety, by allowing no space for the ball to pass between bat and leg. Merely to say to a beginner “Don’t be afraid of the ball” may not be enough; he should know that, if he draws his right foot towards the leg-side, he will lose his pivot and will tend not to play the ball down and not to meet it along its line of approach. If he bends his right leg, the same result

XIX.—Turning quickly at the crease after the first run.

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may follow. How can he keep the ball down and meet it along its line of approach? By attending to his left foot in practice, or by getting some one to watch his practice or play from behind.

Having found out and mastered the muscular mechanisms as well as the raisons d’être for each of them, let the learner be prepared to try new things and to judge them by their results. In January, 1902, in my thirty-fourth year, I changed my Racquet and Tennis stroke from a full swing to a more “partial” jerk. In case it did not suit me, I was prepared to go back to the old. As a matter of fact, the new did suit me.

In this case I imitated Latham and (to some extent) Pettitt. They were of about my own height. I did not imitate slavishly or in trust, but in hope and because I saw good sense in what they did. In Cricket many might hold that even slavish imitation is better than rank failure.

To take an example. Few batsmen play well on difficult wickets. Shrewsbury does. I would sooner imitate his style and methods on difficult wickets than go on failing to score. There is no particular reason why his style and methods should not turn out to be mine as well. I cannot tell till I have experimented.