6. The Sárud-i-mastan, “song of the intoxicated” (vol. I. p. 76. vol. II. p. 136): this and the preceding work composed by Mobed Hushíar.
7. The Jam-i-Kai Khusro, “the cup of Kai Khusro,” a commentary upon the poems of Azar Kaivan, composed by Mobed Khod Jai (vol. I. pp. 76. 84. 119.)
8. The Sharistan-i-Danish wa Gulistan-i-binish, “the pavilion of knowledge and rose-garden of vision” (vol. I. p. 77. 89. 109), composed by Farzanah Bahram.
9. The Zerdusht Afshar (vol. I. p. 77), work of the Mobed Serosh, who composed also:
10. Nosh Daru, “sweet medicine” (vol. I. p. 114); and
11. The Sagangubin, “dog’s honey” (vol. I. p. 114).
12. The Bazm-gah-i-durvishan, “the banquetting-room of the durvishes” (vol. I. pp. 104. 108), without the name of the author.
13. The Arzhang Mani, “the gallery of Mani” (vol. I. p. 131).
14. The Tabrah-i-Mobedi, “the sacerdotal kettle-drum” (vol. I. p. 123), by Mobed Paristar.
15. The Dadistan Aursah (vol. I. p. 131).