Matthew Arnold, explaining why those were his most popular poems which dealt with his canine pets, Geist, Kaiser, and Max, said that while comparatively few loved poetry, nearly everyone loved dogs.
The literature of the Anglo-Saxon is rich in tributes to the dog, as becomes a race which beyond any other has understood and developed its four-footed companions. Canine heroes whose intelligence and faithfulness our prose writers have celebrated start to the memory in scores—Bill Sykes's white shadow, which refused to be separated from its master even by death; Rab, savagely devoted; the immortal Bob, "son of battle"—true souls all, with hardly a villain among them for artistic contrast. Even Red Wull, the killer, we admire for his courage and lealty.
Within these covers is a selection from a large body of dog verse. It is a selection made on the principle of human appeal. Dialect, and the poems of the earlier writers whose diction strikes oddly on our modern ears, have for the most part been omitted. The place of such classics as may be missed is filled by that vagrant verse which is often most truly the flower of inspiration.
CONTENTS
| PART I | ||
| Puppyhood | ||
| TITLE | AUTHOR | PAGE |
| We Meet at Morn | Hardwicke Drummond Rawnsley | [3] |
| The Lost Puppy | Henry Firth Wood | [5] |
| A Laugh in Church | Anonymous | [8] |
| Treasures | Anonymous | [10] |
| That There Long Dog | Alice Gill Ferguson | [11] |
| My Friend | Anonymous | [12] |
| Ted | Maxine Anna Buck | [14] |
| Little Lost Pup | Anonymous | [16] |
| My Brindle Bull-Terrier | Coletta Ryan | [18] |
| Lauth | Robert Burns | [20] |
| The Drowned Spaniel | Charles Tennyson Turner | [21] |
| PART II | ||
| The Human Relationship | ||
| Cluny | William Croswell Doane | [25] |
| The Best Friend | Meribah Abbott | [26] |
| My Dog and I | Alice J. Chester | [27] |
| My Gentleman | Anonymous | [29] |
| The Dead Boy's Portrait and His Dog | Gerald Massey | [31] |
| Advice to a Dog Painter | Jonathan Swift | [33] |
| Mercy's Reward | Sir Edwin Arnold | [34] |
| Beau and the Water Lily | William Cowper | [37] |
| Petronius | Frederic P. Ladd | [39] |
| My Dog | Joseph M. Anderson | [40] |
| Charity's Eye | William Rounseville Alger | [42] |
| To Blanco | J.G. Holland | [44] |
| The Ould Hound | Arthur Stringer | [46] |
| The Miser's Only Friend | George Crabbe | [48] |
| Poor Dog Tray | Thomas Campbell | [51] |
| My Comforter | Anonymous | [53] |
| The Little White Dog | May Ellis Nichols | [54] |
| The Irish Greyhound | Katherine Phillips | [55] |
| The Vagabonds | J.T. Trowbridge | [57] |
| In Cineam | Sir John Davies | [62] |
| Old Matthew's Dog | Anonymous | [63] |
| A Dog and a Man | Anonymous | [67] |
| Rover-Dog | Marie Louise Tompkins | [68] |
| Horse, Dog and Man | S.E. Kiser | [70] |
| The Best Dog | Anonymous | [73] |
| Cæsar, King Edward's Dog | O. Middleton | [75] |
| Just Our Dog | Anonymous | [76] |
| Ragged Rover | Leslie Clare Manchester | [78] |
| To Flush, My Dog | Elizabeth Barrett Browning | [80] |
| Frances | Richard Wightman | [86] |
| To My Setter, Scout | Frank H. Selden | [88] |
| Why Strik'st Thou Me? | Nathan Haskell Dole (Translator) | [90] |
| Consolation | Howard C. Kegley | [92] |
| Argus | Alexander Pope | [93] |
| Chained in the Yard | Anonymous | [94] |
| Why the Dog's Nose is Cold | Margaret Eytinge | [95] |
| Dog Language | Marion Hovey Briggs | [97] |
| A Dog's Loyalty | Anonymous | [98] |
| PART III | ||
| The Dog in Action | ||
| Told to the Missionary | George R. Sims | [101] |
| The Dog of the Louvre | Ralph Cecil | [106] |
| The Chase | Lord Somerville | [109] |
| The Under Dog | Anonymous | [111] |
| The Shepherd and His Dog | William Lisle Bowles | [112] |
| Beth Gelert | William Robert Spencer | [113] |
| The Flag and the Faithful | William J. Lampton | [117] |
| A Guardian at the Gate | John Clare | [118] |
| A Tale of the Reign of Terror | Caroline Bowles Southey | [119] |
| An Elegy on the Death of a Mad Dog | Oliver Goldsmith | [126] |
| The Fusiliers' Dog | Francis Doyle | [128] |
| Fidelity | William Wordsworth | [131] |
| The Shepherd Dog of the Pyrenees | Ellen Murray | [134] |
| The Dog Under the Wagon | Anonymous | [137] |
| Sal's Towser and My Trouser | Anonymous | [139] |
| Rover in Church | James Buckham | [141] |
| PART IV | ||
| The Dog's Hereafter | ||
| Billy | Lorenzo Sears | [145] |
| The Bond | George H. Nettle | [147] |
| To a Dog | Anonymous | [148] |
| Canine Immortality | Robert Southey | [150] |
| A Friendly Welcome | Lord Byron | [152] |
| Exemplary Nick | Sydney Smith | [153] |
| The Difference | Anonymous | [154] |
| Laddie | Katherine Lee Bates | [155] |
| A Dog's Epitaph | Lord Byron | [157] |
| The Passing of a Dog | Anonymous | [159] |
| My Dog | Anonymous | [160] |
| Jack | H.P.W. | [161] |
| In Memory of "Don" | M.S.W. | [162] |
| Roderick Dhu | Helen Fitzgerald Sanders | [164] |
| Questions | William Hurrell Mallock | [166] |
| His Epitaph | William Watson | [167] |
| In Memoriam | Henry Willett | [168] |
| Questions | Oliver Wendell Holmes | [170] |
| Our Dog Jock | James Payn | [171] |
| Tory, a Puppy | Mortimer Collins | [172] |
| On an Irish Retriever | Fanny Kemble Butler | [173] |
| A Retriever's Epitaph | Robert C. Lehmann | [174] |