[C]. Motherwell's MS., p. 187.
[D]. 'Amang the blue flowers and yellow,' Motherwell's Minstrelsy, Appendix, p. xix, No XVII, one stanza.
This piece was first printed by Buchan, in 1828, and all the copies which have been recovered are of about that date. The device of a lover's feigning death as a means of winning a shy mistress enjoys a considerable popularity in European ballads. Even more favorite is a ballad in which the woman adopts this expedient, in order to escape from the control of her relations: see 'The Gay Goshawk,' with which will be given another form of the present story.
A Danish ballad answering to our Feigned Lyke-Wake is preserved, as I am informed by Professor Grundtvig, in no less than fourteen manuscripts, some of them of the 16th century, and is still living in tradition. Five versions, as yet unprinted, A-E, have been furnished me by the editor of the Ballads of Denmark.
A, from a manuscript of the sixteenth century. Young Herre Karl asks his mother's rede how he may get the maid his heart is set upon. She advises him to feign sickness, and be laid on his bier, no one to know his counsel but the page who is to do his errands. The page bids the lady to the wake that night. Little Kirstin asks her mother's leave to keep wake over Karl. The wake is to be in the upper room of Karl's house. The mother says, Be on your guard; he means to cheat you; but Kirstin, neither listening to her mother nor asking her father, goes to keep wake in the upper room. When she went in she could not see the lights for her tears. She begged all the good people to pray for Karl's soul, sat down by his head and made her own prayer, and murmured, While thou livedst I loved thee. She lifted the cloths, and there lay Karl wide awake and laughing. "All the devils in hell receive thy soul!" she cried. "If thou livedst a hundred years, thou shouldst never have my good will! "Karl proposed that she should pass the night with him. "Why would you deceive me!" Kirstin exclaimed. "Why did you not go to my father and betroth me honorably?" Karl immediately rode to her father's to do this, and they were married.
B. a, from MSS of 1610 and later, almost identical with b, 'Den forstilte Vaagestue,' Levninger, Part II, 1784, p. 34, No 7.[208] This version gives us some rather unnecessary previous history. Karl has sued for Ingerlille three years, and had an ill answer. He follows her to church one fine day, and, after mass, squeezes her fingers and asks, Will you take pity on me? She replies, You must ask my father and friends; and he, I have, and can get no good answer. If you will give me your troth, we can see to that best ourselves. "Never," she says. "Farewell, then; but Christ may change your mind." Karl meets his mother on his way from church, who asks why he is so pale. He tells her his plight, and is advised, as before, to use craft. The wake is held on Karl's premises.[209] Ingerlille, in scarlet mantle, goes with her maids. She avows her love, but adds that it was a fixed idea in her mind that he would deceive her. She lifts up the white cloth that covers the face. Karl laughs, and says, We were good friends before, so are we still. Bear out the bier, and follow me to bed with the fair maid. She hopes he will have respect for her honor. Karl reassures her, leaves her with his mother, rides to Ingerlille's house, obtains her parents' approbation, and buys wine for his wedding.
C, from manuscripts of the sixteenth century. Karl is given out for dead, and his pages ride to the convent to ask that his body may be laid in the cloister. The bier is borne in; the prioress comes to meet it, with much respect. The pages go about bidding maids to the wake. Ellin asks her mother if she may go. (This looks as if there had originally been no convent in the ballad.) Her mother tells her to put on red gold and be wary of Karl, he is so very tricky. When Ellin owns her attachment, Karl whispers softly, Do not weep, but follow me. Horses were ready at the portal—black horses all!
Karl sprang from the bier, took Ellin, and made for the door. The nuns, who stood reading in the choir, thought it was an angel that had translated her, and wished one would come for them. Karl, with fifteen men who were in waiting, carried Ellin home, and drank his bridal with her.
D, from recent oral tradition. As Karl lay in his bed, he said, How shall I get the fair maid out of the convent? His foster-mother heard him, and recommended him to feign death and bid the fair maid to his wake. The maid asked her father's leave to go, but he said, Nay, the moment you are inside the door he will seize you by the foot. But when the page, who had first come in blue, comes back in scarlet, she goes. She stands at Karl's head and says, I never shall forget thee; at his feet, "I wished thee well;" at his side, "Thou wast my dearest." Then she turns and bids everybody good-night, but Karl seizes her, and calls to his friends to come drink his bridal. We hear nothing of the convent after the first stanza.
E, from oral tradition of another quarter. Karl consults his mother how he shall get little Kirstin out of the convent, and receives the same counsel. A page is sent to the convent, and asks who will come to the wake now Herr Karl is dead? Little Kirstin, without application to the prioress, goes to her mother, who does not forbid her, but warns her that Karl will capture her as sure as she goes into the room.