[40] b, line 2 (the girl's adding her hair to lengthen the cord). In the tale of the Sea-horse, Schiefner, Awarische Texte, Memoirs of the St Petersburg Academy, vol. XIX, No 6, p. 11 f, a sixty-ell rope being required to rescue a prince from a well into which he had been thrown, and no rope forthcoming, the daughter of a sea-king makes a rope of the required length with her hair, and with this the prince is drawn out. Dr Reinhold Köhler, who pointed out this incident to me, refers in his notes to the texts, at p. vii f, to the song of Südäi Märgän, Radloff, II, 627-31, where Südäi Märgän's wife, having to rescue her husband from a pit, tries first his horse's tail, and finds it too short, then her hair, which proves also a little short. A maid is then found whose hair is a hundred fathoms long, and her hair being tied on to the horse's tail, and horse, wife, and maid pulling together, the hero is drawn out. For climbing up by a maid's hair, see, further, Köhler's note to Gonzenbach, No 53, II, 236.
[40] b, line 7. A message is sent to a father by a daughter in the same way, in Chodzko, Les Chants historiques de l'Ukraine, p. 75; cf. p. 92, of the same. Tristram sends messages to Isonde by linden shavings inscribed with runes: Sir Tristrem, ed. Kölbing, p. 56, st. 187; Tristrams Saga, cap. 54, p. 68, ed. Kölbing; Gottfried von Strassburg, vv 14427-441.
[40] b, line 36. For G, I, read G, J.
[40], note [61]. In a Ruthenian ballad a girl who runs away from her mother with a lover tells her brothers, who have come in search of her, I did not leave home to go back again with you: Golovatsky, Part I, p. 77, No 32; Part III, I, p. 17, No 4, p. 18, No 5. So, "I have not poisoned you to help you," Part I, p. 206, No 32, p. 207, No 33.
[41] a, second paragraph. Golovatsky, at I, 116, No 29, has a ballad, found elsewhere without the feature here to be noticed, in which a Cossack, who is watering his horse while a maid is drawing water, describes his home as a Wonderland, like John in Polish Q. "Come to the Ukraine with the Cossacks," he says. "Our land is not like this: with us the mountains are golden, the water is mead, the grass is silk; with us the willows bear pears and the girls go in gold." She yields; they go over one mountain and another, and when they have crossed the third the Cossack lets his horse graze. The maid falls to weeping, and asks the Cossack, Where are your golden mountains, where the water that is mead, the grass that is silk? He answers, No girl of sense and reason engages herself to a young Cossack. So in Zegota Pauli, P. l. ruskiego, p. 29, No 26 == Golovatsky, I, 117, No 30, where the maid rejoins to the glowing description, I have ranged the world: golden mountains I never saw; everywhere mountains are of stone, and everywhere rivers are of water; very like the girl in Grundtvig, 82 B, st. 7; 183 A 6, E 5, 6.
[41] b, last paragraph. Several Bohemian versions are to be added to the single example cited from Waldau's Böhmische Granaten. This version, which is presumed to have been taken down by Waldau himself, may be distinguished as A. B, Sušil, Moravské Národní Písnĕ, No 189, p. 191, 'Vrah,' 'The Murderer,' is very like A. C, Sušil, p. 193. D, Erben, Prostonárodni české Písnĕ a Říkadla, p. 480, No 16, 'Zabité dĕvče,' 'The Murdered Maid.' E, p. 479, No 15, 'Zabitá sestra,' 'The Murdered Sister.' B has a double set of names, beginning with Black George,—not the Servian, but "king of Hungary,"—and ending with Indriasch. The maid is once called Annie, otherwise Katie. At her first call the grass becomes green; at the second the mountain bows; the third the mother hears. C has marvels of its own. Anna entreats John to allow her to call to her mother. "Call, call," he says, "you will not reach her with your call; in this dark wood, even the birds will not hear you." At her first call a pine-tree in the forest breaks; at the second the river overflows; at the third her mother rises from the grave. She calls to her sons to go to Anna's rescue, and they rise from their graves. The miscreant John confesses that he has buried their sister in the wood. They strike off his head, and put a bat on the head, with an inscription in gold letters, to inform people what his offence has been. There is a gap after the seventh stanza of D, which leaves the two following stanzas unintelligible by themselves: 8, Choose one of the two, and trust nobody; 9, She made her choice, and shouted three times towards the mountains. At the first cry the mountain became green; at the second the mountain bowed backwards; the third the mother heard. She sent her sons off; they found their neighbor John, who had cut off their sister's head. The law-abiding, and therefore modern, young men say that John shall go to prison and never come out alive. In E the man, a young hunter, says, Call five times; not even a wood-bird will hear you. Nothing is said of the first call; the second is heard by the younger brother, who tells the elder that their sister must be in trouble. The hunter has a bloody rifle in his hand: how he is disposed of we are not told. All these ballads but C begin with the maid cutting grass, and all of them have the dove that is "no dove, but our sister."
Fragments of this ballad are found, F, in Sušil, p. 112, No 113, 'Nevĕsta nešt' astnice,' 'The Unhappy Bride;' G, p. 171, No 171, 'Zbojce,' 'The Murderer;' and there is a variation from B at p. 192, note 3, which is worth remarking, H. F, sts 11-14: "Get together what belongs to you; we will go to a foreign land;" and when they came to the turf, "Look my head through."[426] Every hair she laid aside she wet with a tear. And when they came into the dark of the wood he cut her into nine [three] pieces. G. Katie meets John in a meadow; they sit down on the grass. "Look my head through." She weeps, for she says there is a black fate impending over her; "a black one for me, a red one for thee." He gets angry, cuts off her head, and throws her into the river, for which he is hanged. H. He sprang from his horse, robbed the maid, and laughed. He set her on the grass, and bade her look his head through. Every hair she examined she dropped a tear for. "Why do you weep, Katie? Is it for your crants?" "I am not weeping for my crants, nor am I afraid of your sword. Let me call three times, that my father and mother may hear." Compare German H 10, 11; Q 8-10, etc., etc.
[42] a. These Ruthenian ballads belong with the other Slavic parallels to No 4: A, Zegota Pauli, P. l. ruskiego, p. 21 == Golovatsky, III, I, 149, No 21; B, Golovatsky, III, I, 172, No 46. A. A man induces a girl to go off with him in the night. They wander over one land and another, and then feel need of rest. Why does your head ache? he asks of her. Are you homesick? "My head does not ache; I am not homesick." He takes her by the white sides and throws her into the deep Donau, saying, Swim with the stream; we shall not live together. She swims over the yellow sand, crying, Was I not fair, or was it my fate? and he dryly answers, Fair; it was thy fate. In B it is a Jew's daughter that is wiled away. They go in one wagon; another is laden with boxes [of valuables?] and pillows, a third with gold pennies. She asks, Where is your house? Over those hills, he answers. He takes her over a high bridge, and throws her into the Donau, with, Swim, since you were not acquainted with our way, our faith!
[42] a. A, line 2. Read: Puymaigre.
[43] a. D. Add: Poésies populaires de la France, IV, fol. 332, Chanson de l'Aunis, Charente Inférieur; but even more of the story is lost.