Whatever may be thought of the linen-weaver at Spires, it will scarcely be maintained that the Mississippi keel-boat men shot at apples in imitation of William Tell. As to the selection of an apple, it seems enough to say that an apple makes a convenient mark, is familiar to temperate climates, and at hand at almost any part of the year.[[24]] But the chief point of all to be borne in mind is, that whether the Mississippi boatmen took their cue, directly or indirectly, from William Tell, they do not become mythical personages by virtue of their repeating his shot. None the more does William of Cloudesly. A story long current in Europe, a mythical story if you please, could certainly be taken up by an English ballad-maker without prejudice to the substantial and simply romantic character of his hero.[[25]]
The late Mr Joseph Hunter unhesitatingly declared Adam Bell “a genuine personage of history,” and considered that he had had “the good fortune to recover from a very authentic source of information some particulars of this hero of our popular minstrelsy which show distinctly the time at which he lived.”
“King Henry the Fourth, by letters enrolled in the Exchequer, in Trinity Term, in the seventh year of his reign [1406], and bearing date the 14th day of April, granted to one Adam Bell an annuity of 4l. 10s. issuing out of the fee-farm of Clipston, in the forest of Sherwood, together with the profits and advantages of the vesture and herbage of the garden called the Halgarth, in which the manor-house of Clipston is situated.
“Now, as Sherwood is noted for its connection with archery, and may be regarded also as the patria of much of the ballad poetry of England, and the name of Adam Bell is a peculiar one, this might be almost of itself sufficient to show that the ballad had a foundation in veritable history. But we further find that this Adam Bell violated his allegiance by adhering to the Scots, the king’s enemies; whereupon this grant was virtually resumed, and the sheriff of Nottinghamshire accounted for the rents which would have been his. In the third year of King Henry the Fifth [1416], the account was rendered by Thomas Hercy, and in the fourth year by Simon Leak. The mention of his adhesion to the Scots leads us to the Scottish border, and will not leave a doubt in the mind of the most sceptical that we have here one of the persons, some of whose deeds (with some poetical license, perhaps) are come down to us in the words of one of our popular ballads.” (New Illustrations of the Life, Studies, and Writings of Shakespeare, I, 245 f, 1845.)
Mr Hunter’s points are, that an Adam Bell had a grant from the proceeds of a farm in the forest of Sherwood, that Adam Bell is a peculiar name, and that his Adam Bell adhered to the king’s enemies. To be sure, Adam Bell’s retreat in the ballad is not Sherwood, in Nottinghamshire, but Englishwood, or Inglewood, in Cumberland (an old hunting-ground of King Arthur’s, according to several romances), a forest sixteen miles in length, reaching from Carlisle to Penrith.[[26]] But it would be captious to insist upon this. Robin Hood has no connection in extant ballads with the Cumberland forest, but Wyntoun’s Scottish Chronicle, c. 1420, makes him to have frequented Inglewood as well as Barnsdale.[[27]] The historical Adam Bell was granted an annuity, and forfeited it for adhering to the king’s enemies, the Scots; the Adam Bell of the ballad was outlawed for breaking the game-laws, and in consequence came into conflict with the king’s officers, but never adhered to the king’s enemies, first or last, received the king’s pardon, was made yeoman of the queen’s chamber, dwelt with the king, and died a good man. Neither is there anything peculiar in the name Adam Bell. Bell was as well known a name on the borders[[28]] as Armstrong or Graham. There is record of an Adam Armstrong and an Adam Graham; there is a Yorkshire Adam Bell mentioned in the Parliamentary Writs (II, 508, 8 and 17 Edward II,) a hundred years before Hunter’s annuitant; a contemporary Adam Bell, of Dunbar, is named in the Exchequer Rolls of Scotland under the years 1414, 1420 (IV, 198, 325); and the name occurs repeatedly at a later date in the Registers of the Great Seal of Scotland.
The placability of the king in this ballad is repeated in the Gest of Robin Hood, and is also exhibited in the Tale of Gamelyn, where Gamelyn is made justice of all the free forest, as William is here made chief rider over all the North Country. The king, besides, forgives all Gamelyn’s eight young men, and puts them in good office. The king of the outlaws, in the tale, had previously made his peace without any difficulty. Vv 888–94, 687–89.
Translated, after Percy’s Reliques, by Bodmer, II, 78; by Fouqué, Büsching, Erzählungen, u. s. w., des Mittelalters, I, 1; the third Fit, by Knortz, Lieder und Romanzen Altenglands, No 70.
c. 1
Mery it was in grene forest,
Amonge the leues grene,