Kuhn, starting with the assumption that the mythical character of Robin Hood is fully established (by traditions posterior to the ballads and contradictory to their tenor), has sought to show that our courteous outlaw is in particular one of the manifestations of Woden. The hobby-horse, which, be it borne in mind, though now and then found in the May-game or morris-dance, was never intimately associated, perhaps we may say never at all associated, with Robin Hood, represents, it is maintained, Woden. The fundamental grounds are these. In a Christmas, New Year, or Twelfth Day sport at Paget’s Bromley, Staffordshire, the rider of the hobby-horse held a bow and arrow in his hands, with which he made a snapping noise. In a modern Christmas festivity in Kent, the young people would affix the head of a horse to a pole about four feet in length, and tie a cloth round the head to conceal one of the party, who, by pulling a string attached to the horse’s lower jaw, produced a snapping noise as he moved along. This ceremony, according to the reporter, was called a hoodening, and the figure of the horse a hooden, “a wooden horse.”[[62]] The word hooden, according to Kuhn, we may unhesitatingly expound as Woden; Hood is a corruption of “Hooden,” and this Hooden again conducts us to Woden.
Glosyng is a ful glorious thing certayn.
The sport referred to is explained in Pegge’s Alphabet of Kenticisms (collected 1735–36), under the name hooding, as a country masquerade at Christmas time, which in Derbyshire they call guising, and in other places mumming; and to the same effect in the Rev. W. D. Parish’s Dictionary of the Kentish Dialect (soon to be published) under hoodening, which word is an obvious corruption, or secondary form, of hooding. The word hooding, applied to the sport, means just what it does in the old English hooding-cloth, a curtain; that is, a covering, and so a disguise by covering. It is true that wooden is pronounced hooden,[[63]] or ooden, in Kent, and that the hobby-horse had a wooden head, but it is quite inconceivable that the sport should receive its name from a circumstance so subordinate as the material of which the horse was made. Such an interpretation would hardly be thought of had not hooding in its proper sense long been obsolete. That this is the case is plain from two facts: the hooding used to be accompanied with carol-singing, and the Rev. Mr Parish informs us that carol-singing on Christmas Eve is still called hoodening at Monckton, in East Kent. The form Hooden, from which Robin’s name is asserted by Kuhn to be corrupted, is invented for the occasion. I suppose that no one will think that the hobby-horse-rider’s carrying a bow and arrows, in the single instance of the Staffordshire sport, conduces at all to the identifying of Robin Hood with the hobby-horse. Whether the Hobby-Horse represents Woden is not material here. It is enough that the Hobby-Horse cannot be shown to represent Robin Hood.[[64]]
I cannot admit that even the shadow of a case has been made out by those who would attach a mythical character either to Robin Hood or to the outlaws of Inglewood, Adam Bell, Clim of the Clough, and William of Cloudesly.[[65]]
Ballads of other nations, relating to classes of men living in revolt against authority and society, may be expected to show some kind of likeness to the English outlaw-ballads, and such resemblances will be pointed out upon occasion. Spanish broadside ballads dating from the end of the sixteenth century commemorate the valientes and guapos of cities, robbers and murderers of the most flaunting and flagitious description: Duran, Romancero, Nos 1331–36, 1339–43, II, 367 ff.[[66]] These display towards corregidores, alcaides, customhouse officers, and all the ministers of government an hostility corresponding to that of Robin Hood against the sheriff; they empty the jails and deliver culprits from the gallows; reminding us very faintly of the Robin Hood broadsides, as of the rescues in Nos 140, 141, the Progress to Nottingham, No 139, in which Robin Hood, at the age of fifteen, kills fifteen foresters, or of Young Gamwell, in No 128, who begins his career by killing his father’s steward.[[67]] But Robin Hood and his men, in the most degraded of the broadsides, are tame innocents and law-abiding citizens beside the guapos. The Klephts, whose songs are preserved in considerable numbers, mostly from the last century and the present, have the respectability of being engaged, at least in part, in a war against the Turks, and the romance of wild mountaineers. They, like Robin Hood, had a marked animosity against monks, and they put beys to ransom as he would an abbot or a sheriff. There are Magyar robber-ballads in great number;[[68]] some of these celebrate Shobri (a man of this century), who spares the poor, relieves beggars, pillages priests (but never burns or kills), and fears God: Erdélyi’s collection, I, 194–98, Nos 237–39; Arany-Gyulai, II, 56, No 49; Kertbeny, Ausgewählte Ungarische Volkslieder, pp 246–251, Nos 136–38; Aigner, pp 198–201. Russian robber-songs are given by Sakharof, under the title Udaluiya, Skazaniya, 1841, I, iii, 224–32; Ralston, Songs of the Russian People, pp 44–50. There are a few Sicilian robber-ballads in Pitré, Canti pop. Siciliani, Nos 913–16, II, 125–37.
The Gest is a popular epic, composed from several ballads by a poet of a thoroughly congenial spirit. No one of the ballads from which it was made up is extant in a separate shape, and some portions of the story may have been of the compiler’s own invention. The decoying of the sheriff into the wood, stanzas 181–204, is of the same derivation as the last part of Robin Hood and the Potter, No 121, Little John and Robin Hood exchanging parts; the conclusion, 451–56, is of the same source as Robin Hood’s Death, No 120. Though the tale, as to all important considerations, is eminently original, absolutely so as to the conception of Robin Hood, some traits and incidents, as might be expected, are taken from what we may call the general stock of mediæval fiction.
The story is a three-ply web of the adventures of Robin Hood with a knight, with the sheriff of Nottingham, and with the king (the concluding stanzas, 451–56, being a mere epilogue), and may be decomposed accordingly. I. How Robin Hood relieved a knight, who had fallen into poverty, by lending him money on the security of Our Lady, the first fit, 1–81; how the knight recovered his lands, which had been pledged to Saint Mary Abbey, and set forth to repay the loan, the second fit, 82–143; how Robin Hood, having taken twice the sum lent from a monk of this abbey, declared that Our Lady had discharged the debt, and would receive nothing more from the knight, the fourth fit, 205–280. II. How Little John insidiously took service with Robin Hood’s standing enemy, the sheriff of Nottingham, and put the sheriff into Robin Hood’s hands, the third fit, 144–204; how the sheriff, who had sworn an oath to help and not to harm Robin Hood and his men, treacherously set upon the outlaws at a shooting-match, and they were fain to take refuge in the knight’s castle; how, missing of Robin Hood, the sheriff made prisoner of the knight; and how Robin Hood slew the sheriff and rescued the knight, the fifth and sixth fit, 281–353. III. How the king, coming in person to apprehend Robin Hood and the knight, disguised himself as an abbot, was stopped by Robin Hood, feasted on his own deer, and entertained with an exhibition of archery, in the course of which he was recognized by Robin Hood, who asked his grace and received a promise thereof, on condition that he and his men should enter into the king’s service; and how the king, for a jest, disguised himself and his company in the green of the outlaws, and going back to Nottingham caused a general flight of the people, which he stopped by making himself known; how he pardoned the knight; and how Robin Hood, after fifteen months in the king’s court, heart-sick and deserted by all his men but John and Scathlock, obtained a week’s leave of the king to go on a pilgrimage to Saint Mary Magdalen of Barnsdale, and would never come back in two-and-twenty years, the seventh and eighth fit, 354–450. A particular analysis may be spared, seeing that many of the details will come out incidentally in what follows.
Barnsdale, Robin Hood’s haunt in the Gest, 3, 21, 82, 134, 213, 262, 440, 442, is a woodland region in the West Riding of Yorkshire, a little to the south of Pontefract and somewhat further to the north of Doncaster. The river Went is its northern boundary. “The traveller enters upon it [from the south] a little beyond a well-known place called Robin Hood’s Well [some ten miles north of Doncaster, near Skelbrook], and he leaves it when he has descended to Wentbridge.” (For Wentbridge, see No 121, st. 6; the Gest, 1351.) A little to the west is Wakefield, and beyond Wakefield, between that town and Halifax, was the priory of Kyrkesly or Kirklees. The Sayles, 18, was a very small tenancy of the manor of Pontefract. The great North Road, formerly so called, and here, 18, denominated Watling Street (as Roman roads often are), crosses Barnsdale between Doncaster and Ferrybridge.[[69]] Saint Mary Abbey, “here besyde,” 54, was at York, and must have been a good twenty miles from Barnsdale. The knight, 1264, is said to be “at home in Verysdale.” Wyresdale (now Over and Nether Wyersdale) was an extensive tract of wild country, part of the old forest of Lancashire, a few miles to the southeast of Lancaster. The knight’s son had slain a knight and a squire of Lancaster, a, Lancashire, b, f, g, 53. It is very likely, therefore, that the knight’s castle, in the original ballad, was in Lancashire. However this may be, it is put in the Gest, 309 f, on the way between Nottingham and Robin Hood’s retreat, which must be assumed to be Barnsdale. From it, again, Barnsdale is easily accessible to the knight’s wife, 334 f.[[70]] Wherever it lay or lies, the distance from Nottingham or from Barnsdale, as also the distance from Nottingham to Barnsdale (actually some fifty miles), is made nothing of in the Gest.[[71]] The sheriff goes a-hunting; John, who is left behind, does not start from Nottingham till more than an hour after noon, takes the sheriff’s silver to Barnsdale,[[72]] runs five miles in the forest, and finds the sheriff still at his sport: 155 f, 168, 176–82. We must not be nice. Robin Hood has made a vow to go from London to Barnsdale barefoot. The distance thither and back would not be much short of three hundred and fifty miles. King Edward allows him a seven-night, and no longer, 442 f. The compiler of the Gest did not concern himself to adjust these matters. There was evidently at one time a Barnsdale cycle and a Sherwood cycle of Robin Hood ballads. The sheriff of Nottingham would belong to the Sherwood series (to which Robin Hood and the Monk appertains). He is now a capital character in all the old Robin Hood ballads. If he was adopted from the Sherwood into the Barnsdale set, this was done without a rearrangement of the topography.
5–7. Robin Hood will not dine until he has some guest that can pay handsomely for his entertainment, 18, 19, 206, 209; dinner, accordingly, is sometimes delayed a long time, 25, 30, 143, 220; to Little John’s impatience, 5, 16, 206, 211. This habit of Robin’s seems to be a humorous imitation of King Arthur, who in numerous romances will not dine till some adventure presents itself; a custom which, at least on one occasion, proves vexatious to his court. Cf. I, 257 f.[[73]]
8–10. Robin’s general piety and his special devotion to the Virgin are again to be remarked in No 118. There is a tale of a knight who had a castle near a public road, and robbed everybody that went by, but said his Ave every day, and never allowed anything to interfere with his so doing, in Legenda Aurea, c. 51, Grässe, p. 221; Hagen, Gesammtabenteuer, III, 563, No 86; Morlini Novellæ, Paris, 1855, p. 269, No 17, etc.