Page [261]. "The Organ Playing." Cf. a similar incident in the Finnish story of the Golden Bird.

Page [262]. In the Finnish "Alder Block," the hero's father and mother have their age at once reduced by one-half, when the lovely Catherine embraces them. In the romance of Ogier le Danois sweet singing banishes all care and sorrow. "Et quand Morgue approcha du dit chasteau, les Faes vindrent au devant dogier, chantant les plus melodieusement quon scauroit jamais ouir, si entra dedans la salle pour se deduire totallement," and so time is destroyed. "Tant de joyeulx passetemps lui faisoient les dames Faees, quil nest creature en ce monde quil le sceust imaginer se penser, car les ouir si doulcement chanter il lui sembloit proprement quil fut en Paradis, si passoit temps de jour en jour, de sepmaine en sepmaine, tellement que ung an ne lui duroit par ung mois."


[THE GIRL WITH THE GOLDEN HAIR.]

This story, with the four that follows, viz., "The Lover's Ghost," "Snake Skin," "The Fairies' Well," and "The Crow's Nest," are Palócz Folk-Tales, vide Palócz Folk-Poetry, by Julius Pap, Sarospatak, 1865.

The hatchet-stick (in Magyar "fokos") mentioned in the tale is an ordinary walking-stick with an axe-shaped brass or steel implement at the end. It is nothing else than the old Scandinavian "paalstaf," the "palstave" or "winged celt" of English antiquaries. It forms part of the national costume of the Magyars, and was carried by nearly everybody before 1867.

The ceremony of exchanging handkerchiefs alluded to in the tale requires some explanation, and we avail ourselves of this opportunity to give a few details of the marriage customs among the Palócz people as related by Pap.

On the first morning in May the lad erects a May-pole outside of the window of his lady-love, the higher the pole the more it pleases the girl, because the length is understood to be in direct proportion to the intensity of her lover's passion. On Whitsunday a pilgrimage to the Holy Well adjoining the monastery at the village of Verebély is arranged, and here the girl buys a nosegay made of artificial flowers for her lover, in return for the maypole, which nosegay is worn by the lad until next May-Day, or until the wedding. In the meantime the lover visits the girl secretly once or twice at the house of her parents under the cover of night, and later on introduces himself to her parents. If he be well received he sends some friends to ask for the girl's hand, who state their request generally in very flowery language. If the lad's proposal be accepted, the ceremony of exchanging handkerchiefs takes place soon after, the lovers presenting handkerchiefs to one another in which they wrap apples or nuts. From this moment they are considered to be engaged.

The wedding is generally held after the vintage. On the day before the wedding a man, whom we shall call the master of ceremonies, perambulates the village and invites the guests to the festival. On the day itself the guests congregate at a place appointed by the M.C., and the whole company start in procession, headed by a band, to the house of the bride. They all stop outside the gate, and only the bridegroom's best man enters the house and invites the bride to start. The girl then, accompanied by her relations and bridesmaids, and a married woman, whom we shall call the Mistress of the Bedchamber, leaves the house and joins the procession, and they all proceed straight to the church. After church the young woman returns with the whole procession to her own house, and a light breakfast is served, at the end of which all the people adjourn to the bridegroom's house, leaving however the bride behind, until after lengthy coaxing, begging, and some elaborate ceremonies, she consents to go, and is led in triumph to her husband's house, where she is received by the father-in-law at the gate, who nearly overwhelms her with kind words, flattery, and congratulations, and holding her hand leads her into the house and introduces her to his wife, children, and relations. The rejoicing has now reached its climax, and the wedding banquet is at once commenced, to which each invited guest contributes a share according to his or her means.

During the banquet the bridegroom's best man waits at table, and ushers in the various courses reciting a verse for each plat, setting forth in most flowery language the various good points of the dish.