It was six feet wide.
There was a closet, actually!—a closet one foot deep—that was why she took this room. There was the bed, and the trunk, and just room to open the closet door part way—that accounted for the length. There was the bed and the bureau and the chair—that accounted for the width. Between the bedside and the bureau and chair side was a strip extending the whole nine feet. There was room to turn around by the window. There was room to turn round by the door. Martha was thin.
One, two, three, four—turn.
One, two, three, four—turn.
She managed it nicely.
"It is a stateroom," she always said to herself. "It is a luxurious, large, well-furnished stateroom with a real window. It is not a cell."
Martha had a vigorous constructive imagination. Sometimes it was the joy of her life, her magic carpet, her Aladdin's lamp. Sometimes it frightened her—frightened her horribly, it was so strong.
The cell idea had come to her one gloomy day, and she had foolishly allowed it to enter—played with it a little while. Since then she had to keep a special bar on that particular intruder, so she had arranged a stateroom "set," and forcibly kept it on hand.
Martha was a stenographer and typewriter in a real estate office. She got $12 a week, and was thankful for it. It was steady pay, and enough to live on. Seven dollars she paid for board and lodging, ninety cents for her six lunches, ten a day for carfare, including Sundays; seventy-five for laundry; one for her mother—that left one dollar and sixty-five cents for clothes, shoes, gloves, everything. She had tried cheaper board, but made up the cost in doctor's bills; and lost a good place by being ill.
"Stone walls do not a prison make, nor hall bedrooms a cage," said she determinedly. "Now then—here is another evening—what shall I do? Library? No. My eyes are tired. Besides, three times a week is enough. 'Tisn't club night. Will not sit in the parlor. Too wet to walk. Can't sew, worse'n reading—O good land! I'm almost ready to go with Basset!"