Jack Armstrong has painted a modern subject, from real life, and painted it uncommonly well.—Strange to say, he has sold his picture.
Messrs. Feeble and Potter (very high-art men, who can’t get on without mediæval costume, and all the rest of it) think it a mistake.—Curiously enough, their pictures are unsold.
Ballet of action with which Sparkles (who says he is so hard at work at his picture), and his friend and model, Jack Bounce, refresh themselves in the intervals of labour.
TURPS v. TURPITUDE.
The above represents a slight mistake made by Scumble’s new charwoman, who, being “partial to her drops,” thought she had a chance.
ONE USE FOR “DUNDREARYS.” (1863.)
Fitzdab (who does the Dundreary sort of thing) having brought his whiskers to a pitch of perfection seldom equalled, gives the finishing touches to Dolly Jenkins’s portrait with the tips.
