CHIEF ARTISTS REPRESENTED
- Adams, Jack. [29].
- Barnard, Fred. [9], [69], [74], [76]-[9], [99], [115], [147], [160], [169], [176], [206], [220], [244].
- Bateman, H. M. [3], [208], [288]-[9], [291].
- Bede, Cuthbert. [58].
- Booth, J. L. C. [50], [90], [138], [190].
- Brentnall, E. F. [212].
- Bromley, V. W. [146].
- Browne, W. G. A. [234].
- Brunton, W. S. [154], [185], [235], [296].
- Bull, René. [18].
- Cooper, T. G. [155].
- Cruikshank, George. [24], [54], [116], [118], [178], [216], [279], [280].
- Daubeny, Hesketh. [104].
- Doyle, Richard. [84], [124], [200]-[1], [209], [269].
- Du Maurier, George. [65], [67], [89], [129]-[136], [141], [157]-[9], [192], [218], [229], [238], [252], [253], [263], [271], [273], [292], [293].
- Griset, Ernest. [161].
- Haselden, W. K. [25], [27], [31], [32], [35], [39], [46], [47], [56], [57], [189], [287].
- Howard, Capt. H. R. [222].
- Keene, Charles. [91], [101], [139], [143]-[5], [168], [172], [173], [175], [182], [193], [195], [198], [207], [213], [217], [223], [226]-[8], [230], [232], [233], [241], [245], [254], [255], [265], [285].
- Lawson, F. W. [75].
- Leech, John. [4], [8], [63], [70], [86], [88], [100], [114], [119], [121], [123], [155], [166], [167], [179], [180], [196], [243], [246], [251], [256]-[7], [267], [268], [277], [281], [284].
- Leete, Alfred. [45].
- May, Phil. [1], [11], [23], [37], [61], [137], [148], [149], [237], [247], [259].
- Maybank, Thomas. [81]-[3].
- Pears, Charles. [211], [249].
- Proctor, J. [162].
- Sandercock, H. [106], [125], [150].
- Thackeray, William Makepeace. [286].
- Thomas, Bert. [34], [49], [191].
- Thomson, Gordon. [6], [14], [15], [16], [152], [197], [203].
- Wall, A. H. [194].
- Weigand, W. J. [17].
- Wright, Frank. [215].
PRINCIPAL LITERARY CONTENTS
| PAGE | |
| PLAYERS’ PRANKS | [2] |
| EMMA AND ULPHO | [19] |
| HUMOURS OF THE PLAYHOUSE | [22] |
| SCENERY AND COSTUME OF THE STAGE | [48] |
| ASS YOU LIKE IT | [55] |
| HAMLET’S LAST SOLILOQUY | [58] |
| AT THE MASQUERADE | [60] |
| AMATEUR FLUTE-PLAYER | [62] |
| ONLY SEVEN | [64] |
| LYCEUM LYRICS | [66] |
| THE POETS AT PLAY | [68] |
| MOTLEY’S KINGDOM | [76] |
| MY MANUSCRIPTS | [81] |
| A MAN I HATE | [84] |
| MARK TWAIN AND THE KEY | [87] |
| HUMOURS OF THE PRINTING HOUSE | [91] |
| HARRIS-ING REFLECTIONS | [98] |
| HUMOURS OF ADVERTISING | [102] |
| APPROVED BY THE EDITOR | [109] |
| RULES FOR NEWSPAPER CORRESPONDENTS | [110] |
| LITERARY FLUNKEYISM | [112] |
| HUMOURS OF OUR LANGUAGE | [114] |
| MORE HUMOURS OF ADVERTISING | [120] |
| HE NEVER CALLED AGAIN | [126] |
| A DANGEROUS WRITER | [128] |
| PAINTERS AND GAZERS | [184] |
| A DREAM OF UNFAIR WOMEN | [204] |
| IMAGINARY CONVERSATIONS | [209] |
| PYRAMUS AND THISBE | [239] |
| PHOTOGRAPHIC FAILURES | [248] |
| THE PHOTOGRAPHS | [258] |
| MRS BROWN AND THE GERMAN BAND | [270] |
| STREET MUSICIANS | [280] |
| THE BOHEMIAN GIRL | [282] |
| RECOLLECTIONS OF THE OPERA | [286] |
| A WOMAN’S THOUGHTS ABOUT WOMEN | [290] |
| THE ONION GIRL | [294] |
PANTOMIMICS
PANTOMIMICS