Thus the fat was in the fire again between the two old antagonists; and the discord was all the worse because Hürlin was now convinced that Finkenbein had known of the plot and helped it along. The latter bore himself with unchanged geniality and comradeship; but since Hürlin now always suspected him, and took in bad part his jesting designations as "the Councillor," "Herr von Hürlin," and the like, the Sun-Brotherhood soon split into two parties. The manufacturer had soon grown accustomed to the silly Holdria as a roommate and had made him his friend.

From time to time Finkenbein, who from some hidden source or other had now and then a little money in his pocket, proposed another secret excursion to the tavern. But Hürlin, strong as the temptation was for him, kept a stiff front and never went with them, although it hurt him to think that Heller was thus getting the better of him. Instead, he stayed at home with Holdria, who listened to him with radiant smiles or with large, troubled eyes when he growled and cursed or when he drew fanciful pictures of what he would do if any one lent him a thousand marks.

Lukas Heller, on the other hand, cleverly kept up his relations with Finkenbein. It was true that in the early days he had exposed the new friendship to grave peril. One night, in his characteristic fashion, he had gone through his roommate's clothes, and found thirty pfennigs in them which he appropriated. The victim of the theft, who was not asleep, watched him calmly through his half-closed eyelids. Next morning he congratulated the sailmaker on his dexterity, paid him high compliments, requested the return of the money, and behaved as though it had all been a good joke. In this way he got Heller completely in his power; and although the latter had in him a good, lively comrade, he could not pour out his complaints against Hürlin to him quite as unrestrainedly as could Hürlin to his ally. And his diatribes against women soon became wearisome to Finkenbein.

"That's all right, sailmaker, that's all right. You're like a hand-organ with only one tune--you haven't any changes. As far as the women are concerned, I dare say you're right. But enough of anything is enough. You ought to get another waltz put in--anything else, you know--otherwise I wouldn't care if some one stole you."

The manufacturer was secure against such declarations. This was well enough, but it did not make him happy. The more patient his auditor was, the deeper he sank in his melancholy. A few times the sovereign light-heartedness of the good-for-nothing Finkenbein infected him for half an hour to the extent of reviving the grand gestures and sententious utterances of his golden days--but his hands had grown stiff, and the words no longer came from his heart. In the last sunshiny days of autumn he sometimes sat under the decaying apple-trees; but he never looked on town and valley now with envy or desire. His glance was far-away and strange, as if all this meant nothing to him and was out of his range. As a matter of fact, it did mean nothing to him, for he was visibly breaking up and had nothing more ahead of him.

His decline came on him very swiftly. It was true that soon after his downfall, in the thirsty days when he first grew well acquainted with the "Sun," he had grown very gray and begun to lose his agility. But he had been able for years to get about and drink many a glass of wine and play the leading part in a conversation in the tavern or on the street. It was only the poorhouse that had really brought him to his knees. When he had rejoiced at his installation there, he had not realized that he was cutting off the best threads of his life. For he had no talent for living without projects and prospects and all sorts of movement and bustle; and it was when he had given in to weariness and hunger and abandoned himself to rest that his real bankruptcy took place. Now there was nothing left for him but to wait a little while until his life went out.

The fact was that Hürlin had been too long accustomed to tavern life. A gray-haired man cannot break off old habits, even when they are vicious, without damage. His loneliness and his breach with Heller had helped to make him increasingly silent; and when a great talker grows silent, it means that he is well on the road toward the churchyard.

It is a depressing sight when an artist in life, even on a small scale, who has grown old in elegant trifles and ostentation and self-seeking, instead of coming to a sudden end in a fight or as he goes home at night from the tavern, must live on to grow melancholy and end as a dabbler in the sentimental reflections which have always been foreign to him. But since life is incontestably a powerful composer, and thus cannot be accused of senseless caprices, there is nothing for it but to listen to the strains it produces, to admire, and to think the best of it. And after all there is a certain tragic beauty in the thing when such a spirit, that has been spoiled and left raw and then beaten down, rebels at the very end and clamors for its rights, when it flutters its awkward wings and, since nothing else is left, insists on having its fill of bitterness and complaint.

There was much now that came to rub and gnaw at this rude, ill- trained soul; and it became evident that its earlier stubbornness and self-control had rested upon insecure foundations. The manager was the first to realize his condition. To the pastor, on one of his visits, he said with a shrug of his shoulders: "One can't really help being sorry for Hürlin. Since he's been looking so down in the mouth, I don't make him work; but it's no use--that's not what's troubling him. He thinks and studies too much. If I didn't know his sort too well, I should say it was just his bad conscience, and serve him right. But that's not all of it. There's something gnawing at him from inside--and at his age a fellow can't stand that long. We shall see." After this the minister sat now and then with Hürlin in his room, near Holdria's green bird-cage, and talked to him of life and death, and tried to bring some light into his darkness--but in vain. Hürlin listened or not as his mood was, nodded or hummed, but spoke no word and grew constantly stranger. Once in a while one of Finkenbein's jokes would appeal to him, and he would give a dry laugh or beat on the table and nod approvingly; but immediately afterward he would sink into himself again to listen to the confused voices that claimed his attention and tormented him without his being able to understand them.

Outwardly he only seemed quieter and more plaintive, and all treated him much as before. The imbecile alone, even if he had not been himself so feeble-minded, was capable of understanding Hürlin's condition and his gradual decline and feeling a certain horror at the sight; for this friendly and peaceful soul had become the manufacturer's constant companion and friend. They sat together by the wooden cage, put their fingers in between the bars for the fat sparrow to peck at, lounged of a morning, now that winter was coming on, by the half warm stove, and looked at each other with as much comprehension as if they had been two sages instead of a pair of poor hopeless fools. You can see at times two wild beasts locked in together looking at each other in just the same way; according to the mood of the observer, their gaze will seem dull, amusing, or terribly moving.