"Good, good," interrupted Billy, "then let's begin."

Silently and eagerly they went to work; carefully they coated their faces with the salve before the mirror, moved chairs out on to the balcony, sat there motionless, and looked up at the moon, which hung round and yellow over the tops of the old maples facing them. Only at long intervals did one of them say something.

"You know," remarked Billy once, "he has very long eyelashes." "Yes," said Marion, "and they turn up a little." Then they were silent again.

In the avenue of maples below, Boris was restlessly walking up and down. He was smoking cigarettes and thinking. He felt himself, he saw himself today with particular strength and clearness, he the beloved, beautiful youth with the tragic, exceptional fate. This caused him a solemn excitement. But he also knew that he owed himself a significant experience. Of course Billy was a part of it, that was settled, and now he was devising plans, busily composing the destiny of the beautiful, beloved youth. Occasionally he would stand still at the end of the avenue and look up at the house, up at the balcony on which the white figures of the two girls sat motionless, their shining faces turned toward the moon.

Yonder between the flowerbeds the Princess Katakasianopulos was slowly walking up and down, very slender in her black dress, very pale in the moonlight. But then, who saw it? She too felt herself to be a precious instrument of precious experiences. But where were they, for whom these experiences were destined? At the end of the garden-walk she stopped and looked pensively out upon the white mists that rose from the meadow. Once she had lived for a month in Athens with her husband. Perhaps she was yearning for Greece. Possible. But why was Boris walking up and down alone in the avenue of maples? and why did the lieutenant stay there with the others? She seemed to herself like a festival which stands in lonely splendor, and of which all those who are to celebrate it know nothing. But from the veranda the voice of Count Hamilcar, calmly talking on, rang out into the moonlight night. He was still explaining death to the professor.

A very bright August morning rested upon Kadullen. In the house it was still quiet. Only Countess Betty was going through the sunny rooms and pulling down the shades, for the day promised to be hot. Then she went out into the garden to cut roses. At times she paused in her work and squinted into the sunshine, looked over at the gardener's boys, or followed with her eyes the kitchen-maids, coming from the truck-garden with great baskets full of vegetables. On all sides this easy-going and well-regulated life was busily stirring. That made her feel good. When our own life gently begins to incline toward its end, we must warm ourselves at the strong young life of others, keep our hands full of great cool roses, and drink in with open lips the morning scent of this garden. Some one spoke to her from the maple- avenue yonder. Ah yes, that was Moritz, going down to the lake to bathe. The poor lad. Ever since he had fallen so desperately in love with Billy, he never was out of the water, was forever on his way to the lake. The dear children, how they loved each other and caused each other pain, and how pretty it all was. Aye, life, this beloved life. Query? will anything come about between the lieutenant and Elsa. Countess Betty was going to talk to Madame Bonnechose about it; she had a very keen eye for such matters. She gathered her roses together and went into the house.

She was astonished to find Boris in the living-room as early as this. In his suit of cream-colored silk, with the carnation-red belt, he sat in a chair waiting, pale, very handsome, and a trifle solemn.

"What? Up already, my boy?" said the old lady.

"Yes," said Boris seriously, "I got up on purpose, for I sent to ask uncle whether he would see me directly after breakfast; I must speak to him."

Countess Betty looked at her nephew uncertainly and a little anxiously. "Oh, that's it, well, why shouldn't he see you? But--what is it? Is it about ... about--"