[Illustration: VIEW FROM ST. ANDREASBERG]
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BOYHOOD DAYS[55]
By Heinrich Heine
Translated by Charles Godfrey Leland
The town of Düsseldorf is very beautiful, and if you think of it when far away, and happen at the same time to have been born there, strange feelings come over your soul. I was born there, and feel as if I must go straight home. And when I say home I mean the Bolkerstrasse and the house in which I was born. This house will some day be a great curiosity, and I have sent word to the old lady who owns it that she must not for her life sell it. For the whole house she would now hardly get as much as the tips which the distinguished green-veiled English ladies will one day give the servant girl when she shows them the room where I was born, and the hen-house wherein my father generally imprisoned me for stealing grapes, and also the brown door on which my mother taught me to write with chalk—O Lord! Madame, should I ever become a famous author, it has cost my poor mother trouble enough.
(1823-1826)
But my fame as yet slumbers in the marble quarries of Carrara; the waste-paper laurel with which they have bedecked my brow has not yet spread its perfume through the wide world, and the green-veiled English ladies, when they come to Düsseldorf as yet leave the celebrated house unvisited, and go directly to the market-place and there gaze on the colossal black equestrian statue which stands in its midst. This is supposed to represent the Prince Elector, Jan Wilhelm. He wears black armor and a long wig hanging down his back. When a boy, I heard the legend that the artist who made this statue became aware, to his horror, while it was being cast, that he had not metal enough to fill the mold, and then all the citizens of the town came running with all their silver spoons, and threw them in to make up the deficiency; and I often stood for hours before the statue wondering how many spoons were concealed in it, and how many apple-tarts the silver would buy. Apple-tarts were then my passion—now it is love, truth, liberty, and crab-soup—and not far from the statue of the Prince Elector, at the theatre corner, generally stood a curiously constructed bow-legged fellow with a white apron, and a basket girt around him full of delightfully steaming apple-tarts, whose praises he well knew how to call out in an irresistible high treble voice, "Here you are! hot apple-tarts! just from the oven—smelling deliciously!" Truly, whenever in my later years the Evil One sought to get the better of me, he always spoke in just such an enticing high treble voice, and I should certainly have never remained twelve full hours with the Signora Giulietta, if she had not thrilled me with her sweet perfumed apple-tart tones. And, in fact, the apple-tarts would never have so sorely tempted me if the crooked Hermann had not covered them up so mysteriously with his white apron; and it is aprons, you know, which—but I wander from the subject. I was speaking of the equestrian statue which has so many silver spoons in it, and no soup, and which represents the Prince Elector, Jan Wilhelm.
He was a brave gentleman, 'tis reported, a lover of art and handy therein himself. He founded the picture-gallery in Düsseldorf; and in the observatory there, they still show us an extremely artistic piece of work, consisting of one wooden cup within another which he himself had carved in his leisure hours, of which latter he had every day four-and-twenty.
[Illustration: JOHANN WILHELM MONUMENT, DÜSSELDORF]