"The wretches!" cried Mozart, so loud that the other looked around anxiously, fearing that they might have been overheard. "And is there no one who could speak the right word or show those fellows a fist? The villains! We will get the best of them yet."

The tinker was on thorns. He tried, clumsily enough, to moderate his statements, and almost contradicted himself. But Mozart would not listen. "Shame on you, how you chatter! That's just the way with all of you as soon as you have to answer for anything!" And with that he turned on his heel and left the astonished tinker. He hastened to the girl, who was busy with new guests: "Come early tomorrow, and give my respects to your good friend. I hope that your affairs will prosper." She was too busy and too much surprised to thank him.

He retraced his way to the city at a quick pace, for the incident had stirred his blood. Wholly occupied with the affairs of the poor young couple, he ran over in his mind a list of his friends and acquaintances who might be able to help them. Then, since it was necessary to have more particulars from the girl before he could decide upon any step, he dismissed the subject from his thoughts and hastened eagerly toward home.

He confidently expected a more than cordial welcome and a kiss at the door, and longing redoubled his haste. Presently the postman called to him and handed him a small but heavy parcel, which was addressed in a fair clear hand which he at once recognized. He stepped into the first shop to give the messenger his receipt, but when once in the street again his impatience was not to be checked, so he broke the seal, and, now walking, now standing still, devoured his letter.

"I was sitting at my sewing-table," continued Madame Mozart, in her story, "and heard my husband come upstairs and ask the servant for me. His step and tone were more cheerful and gay than I had expected, and more so than I quite liked. He went first to his room, but came immediately to me. 'Good-evening!' he said. I answered him quietly, without looking up. After walking across the room once or twice, with a smothered yawn he took up the fly-clap from behind the door—a most unusual proceeding—and remarking, 'Where do all these flies come from?' began to slap about, as loudly as possible. The noise is particularly unpleasant to him, and I had been careful not to let him hear it. 'H'm,' I thought, 'when he does it himself it's another matter.' Besides, I had not noticed many flies. His strange behavior vexed me much. 'Six at a blow!' he cried. 'Do you see?' No answer. Then he laid something on the table before me, so near that I could not help seeing it without lifting my eyes from my work. It was nothing less than a heap of ducats. He kept on with his nonsense behind my back, talking to himself, and giving a slap now and then. 'The disagreeable good-for-nothing beasts! What were they put in the world for"' Pitsch. 'To be killed, I suppose!' Patsch. 'Natural history teaches us how rapidly their numbers multiply.' Pitsch, patsch. 'In my house they are soon dispatched. Ah, maledette! disperate! Here are twenty more. Do you want them?' And he came and laid down another pile of gold. I had had hard work to keep from laughing, and could hold out no longer. He fell on my neck and we laughed as if for a wager.

"'But where did the money come from' I asked, as he shook the last pieces from the roll. 'From Prince Esterhazy,[33]rough Haydn. Read the letter.' I read:

"'Eisenstadt, Etc.

"'My good friend.—His Highness has, to my great delight, intrusted me with the errand of sending to you these 60 ducats. We have been playing your quartettes again, and his Highness was even more charmed and delighted than at the first hearing, three months ago. He said to me (I must write it word for word): "When Mozart dedicated these works to you, he thought to honor you alone. Yet he cannot take it amiss if I find in them a compliment to myself also. Tell him that I think as highly of his genius as you do, and more than that he could not wish." "Amen," said I. Are you satisfied?

"'Postscript (for the ear of the good wife).—Take care that the acknowledgment be not too long delayed. A note from Mozart himself would be best. We must not lose so favorable a breeze.'

"'You angel! You divine creature!' cried Mozart again and again. It would be hard to say which pleased him most, the letter, or the praise of the prince, or the money. I confess that just then the money appealed most to me. We passed a very happy evening, as you may guess.