[CONTENTS OF VOLUME XI]

PAGE

FRIEDRICH SPIELHAGEN

The Life of Friedrich Spielhagen. By Marion D. Learned[1]
Storm Flood. Translated by Marion D. Learned[14]

THEODOR STORM

The Life of Theodor Storm. By Ewald Eiserhardt[214]
The Rider of the White Horse. Translated by Muriel Almon[225]
To a Deceased. Translated by Margarete Münsterberg[343]
The City. Translated by Margarete Münsterberg[343]
The Heath. Translated by Margarete Münsterberg[344]
Consolation. Translated by Charles Wharton Stork[345]

WILHELM RAABE

Wilhelm Raabe. By Ewald Eiserhardt[346]
The Hunger Pastor. Translated by Muriel Almon[353]

[ILLUSTRATIONS—VOLUME XI]

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On the North Sea Coast. By Jacob AlbertsFrontispiece
Friedrich Spielhagen. By A. Weiss[12]
The Last Day of a Condemned Man. By Michael von Munkacsy[22]
Arrested Vagabonds. By Michael von Munkacsy[62]
The Loan Office. By Michael von Munkacsy[92]
Two Families. By Michael von Munkacsy[112]
The Little Thief. By Michael von Munkacsy[142]
Milton and His Daughters. By Michael von Munkacsy[172]
Christ Before Pilate. By Michael von Munkacsy[192]
Golgatha. By Michael von Munkacsy[212]
Theodor Storm[220]
Dunes on the North Sea. By Jacob Alberts[236]
Churchyard on a North Sea Island. By Jacob Alberts[252]
Communion Service on a North Sea Island. By Jacob Alberts[268]
A North Sea Islander's Congregation. By Jacob Alberts[284]
Living-Room in a Frisian Farmhouse. By Jacob Alberts[300]
A Quiet Corner. By Jacob Alberts[316]
A Gentleman of the Old School. By Jacob Alberts[332]
Wilhelm Raabe[352]
The Commander of the Fortress. By Karl Spitzweg[382]
The Letter Carrier. By Karl Spitzweg[412]
The Nightly Round. By Karl Spitzweg[442]
The Stork's Visit. By Karl Spitzweg[472]
The Lover of Cacti. By Karl Spitzweg[502]
The Antiquarian. By Karl Spitzweg[532]

[EDITOR'S NOTE]

The illustrations in this volume, devoted to the writings of Spielhagen, Storm, and Raabe, are from paintings by Michael von Munkacsy, Jacob Alberts, and Karl Spitzweg. Munkacsy may be called an artistic counterpart to Spielhagen, inasmuch as he shared with him the conscious striving for effect, the predilection for striking social contrasts, and the desire to make propaganda for liberalism. Spitzweg was allied to Raabe in his truly Romantic inwardness, his joyful acceptance of all phases of life, his glorification of the humble and the lowly, and his inexhaustible humor. Alberts is probably the most talented living painter of that part of Germany which forms the background of Storm's finest novels: the Frisian coast of the North Sea.

Kuno Francke.

[THE LIFE OF FRIEDRICH SPIELHAGEN]

By Marion D. Learned, Ph.D.