"I am waiting for him; he has not yet appeared; just go on ahead with Antonio; we shall meet in the sculpture gallery."
"As you say!—What you have done today on the eyes is not worth anything—an entirely false expression! You have been working without your model again; when will you come to see that we are helpless without a model!—Andiamo, Antonio! If you are not ashamed to cross the street with me!"
He had taken a position by the side of the Italian as if he wished to give Ferdinande the pleasure he found in contrasting his short stout figure, in the worn velvet coat and light trousers of doubtful newness, with the elegant, slender, handsome youth, his assistant. But Ferdinande had already turned away, and only said once more, "in the sculpture gallery, then!"
"Dunque—andiamo!" cried Justus; "a rivederci!"
[Ferdinande says Antonio is the only one, after all, who understands her. She then reads a letter which she has received from Ottomar over the garden wall. Ottomar speaks only of meeting her, but says nothing of seeing her father, or of more serious purposes. Reinhold knocks on her studio door, enters, and sees how the artists live in a world of their own. Ferdinande says her father does not care what she does so long as she can have her own way. Reinhold inspects her work and the studio.]
"But now I am afraid you will spoil me so thoroughly that I shall find it difficult to get back into my simple life," said Reinhold, as he sped on at the side of Ferdinande in his uncle's equipage through the Thiergartenstrasse to the Brandenburgerthor.
"Why do we have horses and a carriage if we are not to use them?" inquired Ferdinande.
She had leaned back against the cushions, just touching the front seat with the point of one of her shoes. Reinhold's glance glided almost shyly along the beautiful figure, whose splendid lines were brought out advantageously by an elegant autumn costume. He thought he had just discovered for the first time how beautiful his cousin was, and he considered it very natural that she should attract the attention of the motley throng with which the promenade teemed, and that many a cavalier who dashed by them turned in his saddle to look back at her. Ferdinande seemed not to take any notice of it; her large eyes looked down, or straight ahead, or glanced up with a dreamy, languid expression to the tops of the trees, which, likewise dreamy and languid, appeared to drink in the mild warmth of the autumn sun without stirring. Perhaps it was this association of ideas that caused Reinhold to ask himself how old the beautiful girl was; and he was a little astonished when he calculated that she could not be far from twenty-four. In his recollection she had always appeared as a tall, somewhat lank young thing, that was just about to unfold into a flower—but, to be sure, ten years had gone since that. Cousin Philip—at that time likewise a tall, thin young fellow—must already be in the beginning of his thirties.
A two-wheeled cabriolet came up behind them and passed them. On the high front seat sat a tall, stately, broad-shouldered gentleman, clad with most precise and somewhat studied elegance, as it appeared to Reinhold, who, with hands encased in light kid gloves, drove a fine high-stepping black steed, while the small groom with folded arms sat in the low rear seat. The gentleman had just been obliged to turn out for a carriage coming from the opposite direction, and his attention had been directed to the other side; now—at the distance of some carriage lengths—he turned upon his seat and waved a cordial greeting with his hand and whip, while Ferdinande, in her careless way, answered with a nod of her head.
"Who was that gentleman?" asked Reinhold.