Even if people had been ready to doubt every other testimony, the report of the child passed as irrefutable, and no one concerned himself as to how it had been concocted, how the ignorant young thing had been courted, bribed, how she had been intoxicated by fondling, applause, or, it may be, even by fear. She was dragged from her sleep at night, in order to take advantage of her bewilderment; every new fancy was welcomed, the girl thought she was doing something remarkable, and played her part with increasing readiness. In such wise she molded out of nothing things which were calculated to throw a singularly realistic light upon the fevered image of the fateful night; for instance, how the mother had cut bread with the same knife with which the old gentleman had been stabbed, and how Madeleine had refused the bread, because it made her shudder; or how the blood, caught up in the pan, had been given to one of the pigs to drink, and how the animal had become wild in consequence, and had rushed, screaming madly, through the yard.

Bastide Grammont bore hearing after hearing with a cold placidity. His frigidly haughty dignity, his mocking smile, the mute shrug of his shoulders, caused Monsieur Jausion frequent annoyance. But there were times when, carried away by impatience, he interrupted the judge outright, and attacked, boldly and eloquently, the frail yet indestructible structure of the evidence.

"If it was my intention and interest to do away with my uncle, did it require a conspiracy of so many people?" he asked, his face blazing with scorn. "Am I supposed to have such a combination of craft and stupidity as to ally myself with brothel-keepers, harlots, smugglers, old women, and convicted criminals, people who would, as long as I live, remain my masters and blackmailers, even supposing silence to be among their virtues? Can anything more senseless be imagined than to seize a man on an open road and drag him into a house known to be suspicious? Why all this elaborate plot? Did no better occasion offer itself to me? Could I not have enticed the old man to the estate, shot him and buried him in the woods? It is claimed that I forced him to sign bills,—where are they, these bills? They would be bound to turn up and expose me. You say yourself that the Bancal house is dilapidated, that one can look into Bancal's room from the Spaniards' dwelling through the rotten boards; why, then, did Monsieur Saavedra hear nothing! Aha, he slept! A sound sleep, that. Or is he likewise, in the conspiracy, like my mother, my sister, my sweetheart, my faithful servants? And admitting all, were not the Bancal couple sufficient to help kill a feeble old man and dispose of his body; did I have to fetch half a dozen suspicious fellows, besides, from the taverns? Why did not my uncle cry out? He was gagged; well and good; but the gag was found in the yard. Then he did scream, after all, when the gag was removed, and I had the organ-grinders play. But such organs are noisy and draw people to the windows and into the street. And why butcher the victim, since so many strong men could easily have strangled him? Show me the medical report. Monsieur, does it not speak of a gash rather than a stab? And what twaddle, that about the funeral train, what betraying arrangements in a country where every sign-post has eyes! I am accused of having rushed into my uncle's house the following day and stolen some papers. Where are those papers? My uncle died almost poor. His claim against me was transferred to President Seguret. Why, then, the deed? What do they want with me? Who that has eyes sees my hands stained?"

This language was defiant. It aroused the displeasure of the court and increased the hatred of the multitude, whom it reached in garbled shape. Through fear of the people, no lawyer dared undertake Bastide Grammont's defense. Monsieur Pinaud, who alone had the courage to point out the improbabilities and the fantastic origin of most of the testimony, came near paying with his life for his zeal for truth. One night a mob, including some peasants, marched to his house, smashed his windows, demolished the gate, and set fire to the steps. The terrified man made his escape with difficulty, and fled to Toulouse.

Bastide Grammont clearly recognized that, for the present, it was useless to offer any resistance; he determined, therefore, to transform all his valor into patience and keep his lips closed as if they were doors through which his hopes might take flight. He, the freest of men, had to pass the radiant spring days, the fragrant summer nights, in a damp hole which rendered one's own breath offensive; he, to whom animals spoke, for whom flowers had eyes, the earth at times a semblance of the glow of love, who walked, strode, roamed, rode, as artists produce enchanting creations—he was condemned by the perverse play of incomprehensible circumstances to a foretaste of the grave and deprived of what he held dearest and most precious. Frequent grew the nights of sullenness when his eyes, brimming over with tears, were dulled at the thought of disgrace; more frequent the days of irrepressible longing, when every grain of sand that crumbled from the moist walls was a reminder of the wondrous being and working of the earth, the meadow, the wood. From the events which had overshadowed his life he turned away his thoughts in disgust, and he scarcely heard the keeper when he appeared one morning and exultingly informed him that the mysterious unknown, who was destined to become the chief witness, the lady with the green feathers, had finally been found; she had come forward of her own accord, and she was the daughter of President Seguret, Clarissa Mirabel.

Bastide Grammont gazed gloomily before him. But from that hour that name hovered about his ears like the fluttering of the wings of inevitable Fate.


This is what took place: Madame Mirabel confessed that on the night of the murder she had been in the Bancal house. This confession, however, was made under a peculiar stress, and in less time than it took swift Rumor to make it public, she retracted everything. But the word had fallen and bred deed upon deed.

Clarissa Mirabel was the only child of President Seguret. She was brought up in the country, in the old Château Perrié, which her father had bought at the outbreak of the Revolution. Owing to the political upheavals, and the uncertain condition of things, she did not enjoy the benefit of any regular instruction in her childhood. The profound isolation in which she grew up favored her inclination to romanticism. She idolized her parents; in the agitated period of anarchy, the girl, scarcely fourteen years old, exhibited at her father's side such a spirit of self-sacrifice and such devotion that she aroused the attention of Colonel Mirabel, who, five years later, came and sued for her hand. She did not love him,—she had shortly before entered into a singularly romantic relationship with a shepherd,—yet she married him, because her father bade her. The union was not happy; after three months she separated from her husband; the Colonel went with the army to Spain. At the conclusion of the war he returned, and Clarissa received an intimation of his desire that she should live with him; she refused, however, and declared her refusal, moreover, in writing, incensed that he should have sent strangers to negotiate with her. But she learned that he was wounded, and this caused a revulsion of feeling. In the night, by secret passages, with ceremonious formalities, the Colonel was carried into the château, and Clarissa tended him, in a remote chamber, with faithful care. As long as it remained secret, the new sort of relationship to the man as a lover fascinated her, but her mother discovered everything and believed that nothing stood in the way of a complete reconciliation between the pair. Clarissa succeeded in removing him; in a thicket near the village she had nightly rendezvous with him. Colonel Mirabel, however, grew weary of these singular doings; he obtained a position in Lyons, but died soon after from the consequences of his excesses.

Years passed; her mother, too, died, and Clarissa's grief was so overwhelming that she would spend entire days at the grave, and the influence of her more readily consoled father alone succeeded in inducing her to reconcile herself to her lonely, empty existence. Left completely to herself, she indulged in the pleasure of indiscriminate reading, and her wishes turned, with hidden passion, toward great experiences. Her peculiar tastes and habits made her a subject of gossip in the little town; she had children and half-grown boys and girls come to the château, and recited poems to them and trained them for acting. Her frank nature created enemies; she said what she thought, offended with no ill intention, caused confusion and gossip in all innocence, exaggerated petty things and overlooked great ones, took pleasure at times in masking, appearing in disguise, and impersonating imaginary characters, and captivated the susceptible by the charm of her speech, the bright versatility of her spirit, the winning heartiness of her manner.