A gleam of mournful satisfaction flitted over Clarissa's features. Swiftly, with the lightning-like wheeling of a dancer, she turned toward Bastide Grammont, looked at him as one looks up at a stormy sky after a sultry day, and with a pained, long-drawn breath, she called his name in a low voice. He, however, stepped back as if at an impure touch, and never before had Clarissa encountered such a glance and expression of disdain. Her knees shook, a feeling of distress overcame her, her eyes filled with tears. It was only when the door of the prison closed behind her that the helpless sensation of being flogged left her. Shame and remorse overpowered her; even the mysteriousness of her position afforded her but slight consolation. Controlled by no law, she seemed to have been shoved off the track upon which, in the ordinary course of nature, cause and effect, cumbrously linked together, crawl along in the slow process of experience.

In accordance with her station, she had been assigned the best room in the prison. The first hours she lay on the straw-bed and writhed in agony. When the keeper on her urgent request brought a light, as she feared she would go insane in the darkness, the candle-light fell upon the image of Christ upon the cross with the crown of thorns, which hung upon the gray-tinted wall. She gave a shriek, her overstrained senses found in the features of the Saviour a resemblance to those of Bastide Grammont. His lips had had the same agonized curve when he pressed his clenched hands to his eyes.

Once more she rebelled against the boundless injustice. To live with the world was her real element; her entire nature was attuned to a kindly understanding with people. She asked for paper and pen, and wrote a letter to the Prefect.

"Justice, Count!" she wrote. "It is still time to prevent the worst. Remember the difficulty you had in extorting from me what was supposed to be the truth, remember the threats which made me compliant. I am a victim of circumstances. Whatever I confessed is false. No man of sense can discover the stamp of probability in my statements. In a freak of desperation I bore false witness. Tell my father that his cruelty is more sure to rob him of his daughter than her seeming transgression. Already I know not what I should believe, the past escapes my memory, my confidence begins to totter. If it is too much to ask for justice, then I beg for mercy. My destiny seeks to try me, but my heart is clear as the day."

It was in vain. It was too late for words, even if the mouth of a prophet had proclaimed them in tones of thunder. The next morning many of the witnesses and prisoners were brought before Clarissa. Thus there were Bach, the Bancals, the soldier Colard, Rose Feral, Missonier, and little Madeleine Bancal. Bousquier was ill. The sight of the crushed, slouching, phantom-like creatures, intimidated by a hundred torments, revengefully ready for any deed, disturbed her to the core, and gave her at the same time a feeling of indelible contamination. "Is she the one?" each of the unfortunates was asked—and with insolent indifference they answered: "It is she." Missonier alone stood there laughing like an idiot.

Clarissa was amazed. She had not expected that the answers would be characterized by such assurance, such a matter-of-fact air. With inward sobs she held from her what was undeniable in the present situation, and shudderingly sought a path in her memory to that past situation on which the present was founded and which she was asked to verify. Her agitated spirit crept back to her earlier years, back to her youth, to her childhood, in order to discover her inimical second-self; that which had seemed weird and strange gradually became the essence and centre of her being, and the fateful night in Bancal's house turned, like the rest of the world, into a vision of blood and wounds.

But athwart the gloomy fancies the way led to Bastide Grammont; a flowery path among burning houses. It seemed fine to her to be assured of his guilt. Perchance he had pressed his lips to hers before he had clutched the murderous knife. She coupled her own obscurely felt guilt with his greater one. That which cut him off from humanity bound him to her. His reasons for the deed? She did not concern herself about them. No doubt it had struck root when she had first beheld him, when he had swallowed in a breath all the wood, all the springtime. No matter whether he dipped his hands in the sunlight or in blood, both pertained to his image, to her mysterious passion, and Fualdes was the evil genius and the destructive principle. "Ah," she reflected in her singular musing, "had I known of it, I should have committed the deed myself and might have been a heroine like Charlotte Corday!" Why, however, did he deny it, why was he silent? Why that look of overwhelming contempt, which she could not forget and which still scorched her skin like a brand of infamy? Was he too proud to bow to a sentence which put his crime on a level with that of any highwayman? No doubt he did not recognize his judges. She could, then, draw him down to herself, make him dependent upon the breath of her lips; and she forgot the iron alternatives that confront one's destiny here, and let herself go like a child that knows nothing of death.

The trial before the court of assizes was set for the sixteenth of October. At noon of the tenth, Clarissa requested an interview with Monsieur Jausion. Conducted before the magistrate, she declared she knew about the whole matter, and wished to confess everything. In a voice trembling with excitement. Monsieur Jausion summoned his clerks.

"I came into the room and saw the knife glisten," Clarissa confessed. "I took refuge in the alcove, Bastide Grammont hurried after me, embraced and kissed me. He confided to me that Fualdes must die, for the old devil had destroyed his happiness and made life worthless to him. Bastide was intoxicated, as it were, with enthusiasm, and when I raised objections, he stopped my mouth with kisses once more, yes, he kissed me so hard that I could not offer any resistance. Then he had me take an oath, whereupon he left me and I heard a groaning, I heard a terrible cry; little Madeleine Bancal, who was lying in bed, raised herself suddenly and wept. Then I lost consciousness, and when I regained it I found myself in the street."