FOURTH BOOK.
SUMMARY.
It proves sufficiently the lavish wealth of our own age in Poetry, that the pieces which, without conscious departure from the standard of Excellence, render this Book by far the longest, were with very few exceptions composed during the first thirty years the nineteenth century. Exhaustive reasons can hardly be given for the strangely sudden appearance of individual genius: but none, in the Editor's judgment, can be less adequate than that which assigns the splendid national achievements of our recent poetry, to an impulse from the frantic follies and criminal wars that at the time disgraced the least essentially civilised of our foreign neighbours. The first French Revolution was rather, in his opinion, one result, and in itself by no means the most important, of that far wider and greater spirit which through enquiry and doubt, through pain and triumph, sweeps mankind round the circles of its gradual development: and it is to this that we must trace the literature of modern Europe. But, without more detailed discussion on the motive causes of Scott, Wordsworth, Campbell, Keats, and Shelley, we may observe that these Poets, with others, carried to further perfection the later tendencies of the Century preceding, in simplicity of narrative, reverence for human Passion and Character in every sphere, and impassioned love of Nature:—that, whilst maintaining on the whole the advances in art made since the Restoration, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers:—that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narrative, a tenderness and bloom in feeling, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger and wiser Humanity,—hitherto hardly attained, and perhaps unattainable even by predecessors of not inferior individual genius. In a word, the Nation which, after the Greeks in their glory, has been the most gifted of all nations for Poetry, expressed in these men the highest strength and prodigality of its nature. They interpreted the age to itself—hence the many phases of thought and style they present:—to sympathise with each, fervently and impartially, without fear and without fancifulness, is no doubtful step in the higher education of the Soul. For, as with the Affections and the Conscience, Purity in Taste is absolutely proportionate to Strength:—and when once the mind has raised itself to grasp and to delight in Excellence, those who love most will be found to love most wisely.
166. ON FIRST LOOKING INTO CHAPMAN'S HOMER.
Much have I travell'd in the realms of gold
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
—Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
J. KEATS.
167. ODE ON THE POETS.
Bards of Passion and of Mirth
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
—Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wonderous
And the parle of voices thunderous;
With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, trancéd thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.
Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim:—
Thus ye teach us, every day,
Wisdom, though fled far away.
Bards of Passion and of Mirth
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
J. KEATS.
168. LOVE.
All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.
Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay
Beside the ruin'd tower.
The moonshine stealing o'er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!
She lean'd against the arméd man,
The statue of the arméd knight;
She stood and listen'd to my lay,
Amid the lingering light.
Few sorrows hath she of her own
My hope! my joy! my Genevieve!
She loves me best, whene'er I sing
The songs that make her grieve.
I play'd a soft and doleful air,
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.
She listen'd with a flitting blush,
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.
I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he woo'd
The Lady of the Land.
I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another's love,
Interpreted my own.
She listen'd with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face.
But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he cross'd the mountain-woods,
Nor rested day nor night;
That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade.
There came and look'd him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!
And that unknowing what he did,
He leap'd amid a murderous band,
And saved from outrage worse than death
The Lady of the Land;
And how she wept, and clasp'd his knees;
And how she tended him in vain;
And ever strove to expiate
The scorn that crazed his brain;
And that she nursed him in a cave,
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay;
—His dying words—but when I reach'd
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturb'd her soul with pity!
All impulses of soul and sense
Had thrill'd my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;
And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherish'd long!
She wept with pity and delight,
She blush'd with love, and virgin shame;
And like the murmur of a dream,
I heard her breathe my name.
Her bosom heaved—she stepp'd aside,
As conscious of my look she stept—
Then suddenly, with timorous eye
She fled to me and wept.
She half enclosed me with her arms,
She press'd me with a meek embrace;
And bending back her head, look'd up,
And gazed upon my face.
'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see.
The swelling of her heart.
I calm'd her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.
S. T. COLERIDGE.
169. ALL FOR LOVE.
O talk not to me of a name great in story;
The days of our youth are the days of our glory;
And the myrtle and ivy of sweet two-and-twenty
Are worth all your laurels, though ever so plenty.
What are garlands and crowns to the brow that is wrinkled?
'Tis but as a dead flower with May-dew besprinkled:
Then away with all such from the head that is hoary—
What care I for the wreaths that can only give glory?
O Fame!—if I e'er took delight in thy praises,
'Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear one discover
She thought that I was not unworthy to love her.
There chiefly I sought thee, there only I found thee;
Her glance was the best of the rays that surround thee;
When it sparkled o'er aught that was bright in my story,
I knew it was love, and I felt it was glory.
LORD BYRON.
170. THE OUTLAW.
O Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there
Would grace a summer-queen.
And as I rode by Dalton-Hall
Beneath the turrets high,
A Maiden on the castle-wall
Was singing merrily:
"O, Brignall banks are fresh and fair,
And Greta woods are green;
I'd rather rove with Edmund there
Than reign our English queen."
"If, Maiden, thou wouldst wend with me,
To leave both tower and town,
Thou first must guess what life lead we
That dwell by dale and down.
And if thou canst that riddle read,
As read full well you may,
Then to the greenwood shalt thou speed
As blithe as Queen of May."
Yet sung she "Brignall banks are fair,
And Greta woods are green;
I'd rather rove with Edmund there
Than reign our English queen.
"I read you by your bugle-horn
And by your palfrey good,
I read you for a ranger sworn
To keep the King's greenwood."
"A Ranger, Lady, winds his horn,
And 'tis at peep of light;
His blast is heard at merry morn,
And mine at dead of night."
Yet sung she, "Brignall banks are fair,
And Greta woods are gay;
I would I were with Edmund there
To reign his Queen of May!
"With burnish'd brand and musketoon
So gallantly you come,
I read you for a bold Dragoon,
That lists the tuck of drum."
"I list no more the tuck of drum,
No more the trumpet hear;
But when the beetle sounds his hum
My comrades take the spear.
And O! though Brignall banks be fair,
And Greta woods be gay,
Yet mickle must the maiden dare,
Would reign my Queen of May!
"Maiden! a nameless life I lead,
A nameless death I'll die;
The fiend whose lantern lights the mead
Were better mate than I!
And when I'm with my comrades met
Beneath the greenwood bough,
What once we were we all forget,
Nor think what we are now.
Chorus.
Yet Brignall banks are fresh and fair,
And Greta woods are green,
And you may gather flowers there
Would grace a summer-queen.
SIR W. SCOTT.